From Signs to Symbols: Chryssa’s Mechanical Manipulations

From her Newspaper series to The Gates to Times Square, Chryssa blurred the legibility of text and letters in a variety of media to extend the boundaries of language and highlight the possibilities of light, form, and mechanical processes. This panel discussion features esteemed curators and art historians including Christine Mehring, Mark Pascale, and Anne Rorimer, in what promises to be an important conversation deciphering Chryssa’s approach to textual abstraction and her desire to embody the machine.

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