Exhibition on view: May 13, 2017 -June 1, 2018

Opening reception: Thursday, August 31, 2017

This exhibition draws from recent research into the World War II-era provenance of six early modern European paintings from the Trees collection at Krannert Art Museum to examine the history of ownership. Exploring themes such as genealogy, documentation, attribution, and the perplexing problem of identifying unfamiliar collectors’ marks, Provenance: A Forensic History of Art displaces the prevalent conception of forensic inquiry as a tool for crime scene investigation and relocates it from the laboratory to the art collection. Etymologically, a “forensic” investigation denotes the methodical examination and compilation of evidence for a public forum. Likewise, provenance research is a forensic method that reconstructs legal chains of ownership to establish an artwork’s whereabouts from the moment of creation to its present circumstances.

This approach to art history yields rich and nuanced information about the lives of objects—information whose value lies not only in its legal significance, but also its ability to reveal the very personal journeys of artworks through the lives of collectors.

Curated by Nancy Karrels, University of Illinois, based on research supervised by Maureen Warren, Krannert Art Museum at the University of Illinois

Image: Bartolomé Estebán Murillo, Christ after the Flagellation, ca. 1670. Oil on canvas. Gift of Ellnora D. Krannert 1960-4-1.