West Town, Wicker Park, Ukrainian Village, Kinzie Corridor, Humboldt Park

West Town

Wisconsin

IL • MI • IN

West Loop, Fulton Market, East Garfield Park

West Loop and West Side

Evanston, The North Shore, Northern, Western and Southern Suburbs

Suburbs

Old Town, Lincoln Park, Lakeview, Roscoe Village, Bucktown, Wicker Park, Logan Square, Lincoln Square, Ravenswood, Uptown, Edgewater, Andersonville, Rogers Park

North Side

Michigan Avenue, Streeterville, The Gold Coast, The Loop, and South Loop

Michigan Avenue

Pilsen, Bridgeport, Chinatown, plus Hyde Park, Jackson Park/Dorchester, and Bronzeville

South Side

Superior and Franklin streets, West Chicago Ave, and down to Merchandise Mart and the River

River North

Paul Segedin and Karen Perl

CROSSINGS&nbsp;traverses the Museum’s campus and features several dynamic vehicle sculptures by Bernard Williams in Wilder Park, Hostetler Gallery and large paintings in the McCormick House. Through the artworks on view, the artist addresses the concept of mobility as both the physical movement forward and the human aspiration to rise to better circumstances.The Chicago-based artist has been making public murals and sculptures for over thirty years. Bold thick lines and generalized, flat shapes common in graphic illustration define his unique and playful sculptural style. Williams often researches and highlights little known or forgotten narratives in history to make his sculptures, paintings and murals, which offer new perspectives on the engineering innovations of the past and how they impact contemporary culture. The works are also a tribute to Black achievement in transportation and agriculture throughout American history. Pilot Bessie Coleman, NASCAR driver Wendell Scott, and the recent Black Farmers’ Settlement are some of the histories being honored in this exhibition. For Elmhurst, Williams also recognizes the lifetime achievements of the local NASCAR winner, Fred Lorenzen (1934-2024).CROSSINGS&nbsp;runs concurrently with the exhibition&nbsp;Legacies: New Views of the Elmhurst Art Collection, which features Williams’ small sculptures from the collection of Cleve Carney, along with dozens of other artists in the Museum’s collection.Curated by Allison Peters Quinn. Image: Bernard Williams, Route 27, painted plywood, aluminum, 6 x 6 x 20 feet. Photography by Michelle W.C. Anderson&nbsp;

CROSSINGS by Bernard Williams

Museum's Permanent Collection Over time, the Museum has acquired a unique assortment of paintings, prints, sculptures and drawings with a concentration of late 20th Century American Art and Mid-Century Design. The exhibition delves into the connections between the artworks and the people who once owned them to present&nbsp;Legacies. Much of EAM’s collection is the result of personal relationships between artist, artwork, collector, and Museum. This exhibition draws these relationships into focus, inviting visitors to understand the artwork not just as an isolated piece, but as part of a larger, ongoing narrative that includes culture, history, and personal legacy.Small installations presented across the galleries will feature a colorful array of artworks from the EAM collection while addressing the nature of collecting. How do collectors choose the works they put in their collection? Visitors can gain insight into what might have drawn certain collectors to types of works or specific artists.Image credit: Liz Chilsen

Legacies: New Views of the Elmhurst Art Museum's Permanent Collection

Group Exhibition

Howard Hart and Kathryn Rodrigues

Nature's Whimsy

Photography and Collage by Artist Jay Reed

The Scapes - Land and Urban

A Concert Series on the Lincoln Landing200 West 8th Street Lockport, IL 60441

Fridays in the Park - September

Our Biennial is one of the Midwest’s largest and most prestigious juried exhibitions, offering artists an opportunity to have their work viewed by three talented curators: Chanelle Lacy, Director of Art Initiatives at Gertie, Joe Lanasa, Director/Founder of Fulton Street Collective, and Cortney Lederer, Public Art Consultant and Educator. Our Biennial will be promoted and viewed by hundreds of visitors, including gallerists, curators, and collectors. Cash awards and cash equivalents will be presented at the artists’ reception. Awards, which may include Best of Show and Juror’s Merit categories, are given at the jurors’ discretion. From the final pool of selected applicants, the jurors will also award 3 artists, who have not exhibited at the Evanston Art Center in the past 5 years, with the opportunity to be included in an exhibition in our galleries. Chanelle Lacy is a curator, cultural producer, and Reiki Master. She is also the Director of Art Initiatives at Gertie and the fearless leader of EarlyWork! Passionate about bringing ambitious, rigorous, and challenging projects to life, Chanelle works closely with artists both emerging and established to expand not only their creative practices but the art historical canon at large. Her passion for art and her commitment to amplifying underrepresented and marginalized voices make her a true champion of the arts. Most recently she produced SKIN + MASKS, a blockbuster exhibition crafted in collaboration with musician and activist Vic Mensa, centering works by contemporary artists exploring the elusive essence of identity. Originally presented in a classic gallery setting, SKIN + MASKS traveled to Chicago’s famed Magnificent Mile for a six-month pop-up exhibition presented in partnership with EXPO Chicago and the City of Chicago. In 2021 she curated Realms of Refuge, a group exhibition focused on the alchemical processes that enable us to transcend our earthly entanglements to reach higher states of consciousness, embodiment, and expression. Chanelle forged her path in the arts working at a contemporary gallery where she lent her vision to the program for six years. During three years of her tenure, she held the position of Director. Chanelle continues to be a force, serving as a trusted advisor. Cortney Lederer is a public art consultant and educator with over twenty years of experience managing artistic programming for foundations and organizations. Cortney has curated installations by notable artists such as Jacob Hashimoto (2019) and Olafur Eliasson (2021) at th Willis Tower and Luftwerk at the landmark Chicago Board of Trade Building (2024). She served as the art advisor for E(art)H Chicago, (2023) an initiative supported by the Illinois Science and Energy Innovation Foundation (ISEIF), providing $700,000 in grants to artists to inspire new ways of thinking about environmental responsibility in neighborhoods across Chicago. This summer, she launched a new public art initiative for the Peggy Notebaert Nature Museum (2024) connecting people to nature through 30 art installations across the city. Cortney is currently serving as the public art consultant for the Chicago Park District to design and manage an RFP for artist responses to contested monuments on parkland through installations, onsite programming, and activations. She is also the Public Art Consultant for the City of Wichita, managing three, new public artworks for the Arkansas River Improvement Project. Most recently, she worked with a team of planning consultants hired by Chicago’s Department of Cultural Affairs and Special Events (DCASE) and the Department of Planning and Development (DPD) to develop a community-engaged, pilot cultural and historical marker program. This pilot program celebrates the city’s cultural heritage by sharing untold stories and events through artist-designed markers. Cortney is an Associate Professor, Adj., in the Arts Administration and Policy department at the School of the Art Institute of Chicago and serves on the board of Arts of Life and Every House Has a Door. Joe Lanasa is one of the founding members and the current director of the Fulton Street Collective. He created FSC in late 2002, along with his amazingly talented friend, Anna Fermin. Their original vision still holds true today, which is to host a community of creative, talented people, and give them the resources they need to support and cultivate their art so that they can enrich the lives of others and become part of the greater community. Joe is also a street poet, songwriter, rock musician singer, and guitarist, performing in mostly Chicago-area clubs for over ten years now. His musical influences include a crazy blend of brilliant performers, including Jim Morrison, Bob Dylan, Scott Momenthy, Iggy Pop, early Springsteen, Marty Robbins, Elvis, Van Morrison, and Bob Marley. IMPORTANT DATESJUNE 2, 2025: Artist Submission DeadlineJULY 16: Notification of acceptanceAUGUST 17 – 19: Accepted artworks delivered to Evanston Art CenterAUGUST 20 – 22: InstallationSEPTEMBER 21: Biennial Exhibition closesSEPTEMBER 22 &amp; 23: De-install and pick up artworkThe Evanston + Vicinity Biennial Exhibition will be exhibited in the first-floor gallery of the Art Center. Evanston Art Center, a nonprofit 501 (c)(3) organization, is dedicated to fostering the appreciation and expression of the arts among diverse audiences. The Art Center offers extensive and innovative instruction in broad areas of artistic endeavor through classes, exhibitions, interactive arts activities, and community outreach initiatives. Evanston Art Center is located at 1717 Central Street, Evanston, IL. Evanston Art Center Gallery Hours: 9am – 6pm, Monday – Thursday; 9am – 5pm, Friday; 9am – 4pm, Saturday &amp; Sunday. First and second-floor gallery spaces are handicapped accessible. Limited free parking is available.

27th Evanston and Vicinity Biennial

<a rel="noopener noreferrer" href="https://www.theccma.org/hokusai" target="_blank">Details here</a> The Cleve Carney Museum of Art (CCMA) and McAninch Arts Center (MAC) present “Hokusai and Ukiyo-e: The Floating World, Artworks from the Chiossone Collection” May 31 – Sept. 21, 2025. The exhibition will feature a collection of 53 works of art and 13 artifacts that has never been seen before in the U.S. More than a museum show, this arts center experience will immerse guests in Japanese Edo culture through several interactive exhibits, from a peaceful outdoor Japanese garden to an anime exhibit. The exhibition is organized by the Cleve Carney Museum of Art in collaboration with the Edoardo Chiossone Museum of Oriental Art of Genoa, Italy and with the support of MondoMostre. More information can be found at&nbsp;<a style="color: blue;" rel="noopener noreferrer" href="https://u56787.ct.sendgrid.net/ls/click?upn=u001.fcH2sTwdr1nXFkGjhXi7ArBmrsy8m0YzE4Ina-2BFw4UFlSkniHi0DYoqKuDDRh-2Fpk-2Fa3s1JmM-2Fv7vlGOh8TZZUMtHsLgbkfWqfqQ33cZDsShOTfKwVoOFT5WswzaqLsgYttmE_0g5QiKQ3ANfCkWXxwzczn1phIok0-2FnBF8GNWXrNhq2-2BCm4DmNjKHmH-2FuMeb6erfptj0X7kOO03SOEy0038a8bO2JT1vj7ekSN4iWm5fnVmC-2BUoj9m6S-2BHoqpkY4xl-2F1zJpl0qI-2Bilecut0mSSToCGWN89tcBEot9fhKkN60iLK7QxQhU-2FCj-2BVhHrukh3auQXnn2p9YvaoxwyKYHUqUcNz0qdK8pFrYwfDp6ZUfU4L4tePcPQuiZ2LYNP5N5SJpCQds2rICww79g5nOXXy7iZn5oSEURZT7PU6WRmcAkEeWZsmAzTrFWXSgXOZT1OQHNK2DcgfNsG-2FmU1knEaC7YvCK92j8PC-2BkaCXDmXLErcFPROcIChJSgsoOsPucmUZ-2Fi-2FVkSIjgjjo8Q7J-2BNU3hu2b8DTuCg6JCnSOyP8twaYzRAZU5yJMuVnwYODasQhGJKqNZBQfY9LEkFiw6onBYI5ofY5KCbkYaovz2Z55n7x3Qn625zKh0iXDXzZsTep6YbjnowSRRNnuRAis1E0iiGw3DBx4-2BwLO2QTJ6JhAR8VAE4SbXJNjTSX8K0KqKHV73KxV9MdHhjeGzTU941nwRzHNnPluJZNjo9E21Nj3I51nJcA-2BTLqb6f5FwGECBEdo65iHYrDE2G4p-2Fb-2FcPmIT-2FsNv0DpaHT8RJhrgmVwZqnjYF1qnymCX-2BbUVUQ3eO09Zu3Rd0sXbqDWVHP9QLLAk3cksA58WaYjO-2Fo57SQw9lEkHR55vIO1vkqVvnuZ3n0FpVUBJ1mOBJ94SfHava-2BDPoC9bCvuVYIlJh2EFUIPhonaJdUR-2FBE6X0yQYn4-2Bg-2FhlOFu4hNSD56cZV5AuWiimSB-2FcAPW6oe8UxWc7GVZo-2BDBGYpmVBEg-2BYYzTj-2BiqNopSlWirHBny9vZ4xdIohOmgbaAwHvauWuaPStkRwREowb7owBYPLH73R0hSPDRWrg-2BUcEv5-2BaeGKjRD5ZGWpslQDL2YjLiCNtUOW5OxkdQTFqhcmXix8yPKQ-2BR8yW2-2FyD1XV-2BIx" target="_blank">Hokusai2025.org</a>.&nbsp; Hokusai is widely recognized as one of Japan's greatest artists, as he was instrumental in developing the genre of ukiyo-e and modernized traditional print styles. Widely considered as one of the most recognizable images in the world, the exhibition will feature Hokusai's iconic masterpiece, The Great Wave off Kanagawa. In addition, visitors will have the rare opportunity to view nine original works by the legendary artist. There will also be 17 works by Hiroshige and works by 15 of their contemporaries.&nbsp; The exhibition is organized by the Cleve Carney Museum of Art, with works from the Edoardo Chiossone Museum of Oriental Art of Genoa, Italy that was originally collected by Edoardo Chiossone (1833-1898), whose collection is known worldwide for the quality of art and its remarkable state of conservation. The featured ukiyo-e collection on loan will be curated by professor and art historian Rossella Menegazzo of The University of Milan as part of the larger exhibition at the MAC and CCMA, curated by&nbsp;Justin Witte.&nbsp; TicketsTickets are now on sale. Anytime Tickets (specific date/flexible time) for “Hokusai and Ukiyo-e: The Floating World” are $40. Timed Tickets (specific date/specific time) are $27 (Tuesday-Friday) and $32 (Saturday, Sunday). VIP add-ons are also available, including the “Shogun,” which includes an exhibition poster, tote and VIP Lanyard for an additional $25; and the “Emperor,” which includes the Shogun package plus an audio tour and exhibit catalogue for an additional $70. Tickets can be purchased at&nbsp;Hokusai2025.org.&nbsp; &nbsp;<img src="https://res.cloudinary.com/dfafo598z/image/upload/v1737003133/eonpcxyzxcw6yudfxdaz.jpg">

Hokusai and Ukiyo-e: The Floating World, Artworks from the Chiossone Collection.

A Fine Art Mixed Media Juried Exhibition For the Prospectus and Entry Form visit <a rel="noopener noreferrer" href="https://www.galleryseven.net" target="_blank">Galleryseven.net</a>

Illiart 2025

Flourish: Embracing Indigenous and Scientific KnowledgeSupport Brushwood's impact&nbsp;at the 42nd Annual Smith Nature SymposiumHonoring author, scientist, mother, professor, and member of the Citizen Potawatomi Nation, Robin Wall Kimmerer Saturday, October 11, 2025Chicago Botanic Garden1000 Lake Cook Road, Glencoe, IL 60022 Smith Nature Symposium Co-Chairs:Lois Morrison and Janea Harris About the Smith Nature Symposium 2024 Environmental Leadership Award winner Dr. Mona Hanna with emcees Bill Kurtis and Donna La Pietra at the Smith Nature Symposium Awards DinnerThe Smith Nature Symposium is Brushwood’s largest fundraising event of the year, and all funds raised from the Smith Awards Dinner directly benefit our programs for youth, families, and Veterans across our community.&nbsp;&nbsp;On May 6, 1984, more than 350 people gathered for the first Smith Nature Symposium featuring Roger Tory Peterson. Organized under the leadership of Barbi Donnelley, Symposium Co-Chair, this jam-packed convening of nature-lovers became the first of four decades of annual Symposia memorializing the significant civic legacy of Hermon Dunlap and Ellen Thorne Smith, who donated their land and cabin to help form Ryerson Woods. About Robin Wall Kimmerer Robin Wall Kimmerer&nbsp;is a mother, scientist, decorated professor, and enrolled member of the Citizen Potawatomi Nation. She is the author of&nbsp;The Serviceberry: Abundance and Reciprocity in the Natural World, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants&nbsp;and&nbsp;Gathering Moss: A Natural and Cultural History of Mosses.&nbsp;She lives in Syracuse, New York, where she is a SUNY Distinguished Teaching Professor of Environmental Biology, and the founder and director of the Center for Native Peoples and the Environment. The Serviceberry As Indigenous scientist and author Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most?&nbsp;Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival.&nbsp;&nbsp;As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” Braiding Sweetgrass As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In&nbsp;Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on “a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise” (Elizabeth Gilbert).&nbsp;Drawing on her life as an indigenous scientist, a mother, and a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we’ve forgotten how to hear their voices.&nbsp;&nbsp;In a rich braid of reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

42nd Annual Smith Nature Symposium Awards Dinner

Thoughtfully designed, One of a Kind Art Gifts

Gallery Seven Holiday Gift Show

Helen Frankenthaler (American, 1928–2011) began printmaking in 1961, working across lithography, woodcut, and etching for the next fifty years. Frankenthaler is known for her abstract paintings and especially her signature “soak-stain” technique—allowing paint to sit, spread, and pool on untreated canvas. She brought this same sensibility, what she described as a&nbsp;“pouring, flooding, spilling, bleeding one,”&nbsp;to works on paper.&nbsp;&nbsp;&nbsp; While printmaking is often characterized by precision and control, Frankenthaler’s prints allow for chance encounters between pigment and surface—unintentional effects that emphasize the agency and alchemy of materials. The exhibition will focus on her print practice and call attention to the unpredictability, chance, and accident in Frankenthaler’s work. The exhibition will include works by other artists in The Block’s collection who similarly have embraced chance, accident, or aesthetic surprise in their artworks. It will bring together a sampling of lithographs, drawings, and watercolors by Frankenthaler’s friends and colleagues—Joan Mitchell, Grace Hartigan, and Robert Motherwell—and many other artists from The Block’s permanent collection. In 2023, The Block Museum was one of ten university museums to receive artwork as part of the&nbsp;<a style="color: rgb(78, 42, 132);" rel="noopener noreferrer" href="https://nublockmuseum.blog/2024/04/01/the-block-among-national-museums-to-receive-works-from-helen-frankenthaler-foundation-prints-initiative/" target="_blank">Frankenthaler Print Initiative</a>. The exhibition will feature this extraordinary gift and bring it into conversation with prints in the collection. The exhibition will be closed December 20, 2025 – January 8, 2026 for the Year End Holiday.

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