M. LeBlanc

M. LeBlanc is proud to present 'New Works', an exhibition of painting by the celebrated San Francisco-based artist Christine Tien Wang. The exhibition is Tien Wang's first exhibition with the gallery as well as her first solo exhibition in Chicago.&nbsp; Christine Tien Wang (b. 1985, Washington D.C) lives and works in San Francisco. Recent solo exhibitions of Wang’s work include Fake Stupid, Queen of Cringe (2022) at Galerie Nagel Draxler in Berlin, Coronavirus Memes (2020) at Galerie Nagel Draxler in Cologne, #cryptomemes: women and Leo DiCaprio(2019) at Ever Gold Projects in San Francisco, Crypto Rich (2018) at Nagel Draxler Kabinett in Berlin, and Twilight (2018) at Magenta Plains in New York. Wang’s work was included in recent two-person and group exhibitions, ScreenTime with Luke Murphy (2021) at Night Gallery in Los Angeles, Friends and Family (2021) at Magenta Plains in New York City, Alphabetic Image (2021) at Arsenal in New York, Ladyfinger and Fig Mcflurry (2021) at 56 Henry in New York, and Climate Change is Real. Stop Procrastinating! with Mark Dion (2020) at Galerie Nagel Draxler in Munich. &nbsp;Wang has completed residencies at the Jamaica Center for Arts and Learning, VCUQatar, Chashama North, and Skowhegan School of Painting and Sculpture. Wang’s work belongs in the public collection of the Los Angeles Museum of Contemporary Art and the Groeninghe Collection in Belgium. Wang received a BFA from The Cooper Union for the Advancement of Art and Science in 2013 and an MFA in Painting from University of California, Los Angeles in 2008. She is currently Assistant Professor of Painting and Drawing at California College of Art.

Christine Wang New Works

Life after death. A candle flickers. Like after death, the light is gone. Enveloped in darkness the holy spirit runs rampant. Leaving presence on all things matter.M. LeBlanc is proud to present the gallery’s second solo exhibition with Virginia-born, Chicago-based artist Cameron Spratley, titled Violets and Daisies, the exhibition brings together a body of work the artist has been developing over the past two years. Where implements of violence - bats, knives, billy clubs, often frame Spratley’s compositional decisions, the works exhibited are a mediated departure from abrasive subjects. They are an embrace of aftermath, and a solemn exploration into recollection and the creation of memory from personal and public tragedy.&nbsp;The candles through Violets and Daisies function much like the screws and knives of Spratley's 2020&nbsp;works. Melting under the pressure of posturing, the candle's omnipotent and ephemeral light source is flattened to a pixelated print. Taken as a gesture to the material-transcendent philosophies of late Renaissance painting, and without regard to their new mediated rendering, Spratley's paintings radiate, endeavoring to push the lit or unlit candle past its traditional symbology of god's presence/non-presence. Mortal in this sense: ready to die: human. A wake for those remiss.True to Spratley's approach in constructing an image,&nbsp;Violets and Daisies&nbsp;reflects on this aesthetic and asks how we romanticize&nbsp;the passage of time, define our rituals of mourning, and meditate on loss today.

Closing reception for Cameron Spratley 

M. LeBlanc is proud to present its second solo exhibition with Richmond-born, Chicago-based Cameron Spratley, Titled ‘Violets and Daisies’, the exhibition brings together a body of work Spratley has been developing over the past two years.&nbsp;Cameron Spratley (American, b. 1994 in Manassas, VA) lives and works in Chicago. Recent solo exhibitions of Spratley’s work include American Portraiture (2023) at Moskowitz Bayse in Los Angeles, In the Air Tonight (2021) at James Fuentes in New York,&nbsp;730 &nbsp;(2020) at M. LeBlanc in Chicago. Spratley’s work was included in the recent group exhibitions, Homotopy Type Theory (2023) at Centralbanken in Oslo,&nbsp; SKIN+MASKS (2022) at Kavi Gupta in Chicago, A Healthy Dose of Nihilism (2022) at the Ministry of Culture and Tourism, Columbus, OH, Sagittarius (2022) at Night Club Gallery in Minneapolis, Made To Be Broken (2022) at P.P.O.W. in New York, Songs of Fire(2022) at Kranzberg Arts Foundation in St. Louis, Moloch (2021) at M. LeBlanc, Chicago, and Notes on Entropy (2020) at Arcadia Missa in London. Spratley obtained his bachelor's degree in 2016 from Virginia Commonwealth University. He attended the Yale University at Norfolk residency, was the recipient of the Alice Cabell Horsely Parker Scholarship from Virginia Commonwealth University, and received a full tuition scholarship from The School of The Art Institute of Chicago where he completed his MFA.&nbsp;

Cameron Spratley: Violets and Daisies

Join us on Friday, August 18th from 7 to 10 pm for new and recent works from:&nbsp; Adrienne Greenblatt Manal Kara Elena Ailes Micah Schippa Marie Ségolène Jeremy Biles&nbsp;Refreshments will be served. All are welcome.&nbsp;A limited edition chapbook of images and writings has been compiled and will be available&nbsp;that evening.

Calliope Reading Series

M. LeBlanc is proud to announce the gallery's second solo exhibition with the Berlin-based artist Hans-Jörg Mayer, titled 'That Summer Feelin' Is Gonna Haunt Me The Rest Of My Life'.Comprising the exhibition will be a selection of new paintings by Mayer.&nbsp;The exhibition will open Friday July 28th and remain on view through September 2nd 2023.&nbsp; Hans-Jörg Mayer (German, b. 1955 in Singen) lives and works in Berlin. Mayer’s work has been exhibited throughout the world over the past three decades. Born near the Lake of Constanz in the Black Forest, Mayer attended the Akademie der Bildenden Künste in Munich from 1975 to 1982, before relocating to Cologne. While Mayer lived in Cologne, he rose to prominence as one of his generation’s most compelling artists, making exhibitions with the tastemaking spaces of the day, such as, Galerie Rudolf Zwirner, Galerie Bleich-Rossi, Galerie Daniel Buchholz, and Galerie Christian Nagel.&nbsp;Recent solo exhibitions of Mayer’s work include A Touch of Chthulu (2020) at Galerie Nagel Draxler in Cologne and Sweet Distance - Bittere Maronen (2018) at nationalmuseum in Berlin. Mayer’s work has been included in many institutional exhibitions, including Painting 2.0: Malerei im Informationszeitalter(2015/16) at MuMoK in Vienna and Museum Brandhorst in Munich, Captain Pamphile – Ein Bildroman in Stücken (2011) at Collection Falckenberg, Deichtorhallen in Hamburg, Make Your Own Life: Artists In &amp; Out of Cologne (2007) at the Henry Art Gallery at University of Washington, Seattle and Museum of Contemporary Art Miami, and Made In Berlin (2004) at Art Forum Berlin, Berlin. In addition, Mayer’s practice has been the focus of multiple features in national and international periodicals, and is held in numerous public and private collections.M. LeBlanc has represented Mayer's work since the gallery opened in 2017. Image: Hans-Jörg Mayer, 'K.A.:Surf Nazi Hunter', 2023, acrylic on canvas, 120 x 90 cm (47.24 x 35.43 in)&nbsp;

Hans-Jörg Mayer: That Summer Feelin' Is Gonna Haunt Me The Rest Of My Life

This coming Saturday July 15th from 12 to 6 pm is&nbsp;the final day to view Yves Scherer's exhibition 'Provence'.&nbsp;Provence, Scherer’s apt title for the exhibition is named after the famed southern French region, storied not only for its annual cavalcades of tourists but also for its magical light and bucolic flowered landscapes, both of which are&nbsp;iconic subjects in the histories of modern art. Scherer’s use of the region is simply a gesture,&nbsp;a placeholder of memory and attachment, and a shared source of where together we create memories, for ourselves, our families, and our futures.&nbsp;Provence is a space that’s as real and historic as it is performative. It’s in this superfiction that Scherer&nbsp;shaped this most recent body of work.In the midst of the pandemic, Scherer forged a new approach to his painting. Where he had made numerous large airbrush works in the past, this new body of work draws inspiration from historic Swiss landscape painters like Adolf Dietrich or Hans Emmenegger, whose works dot the artist's early life in the Swiss canton of Solothurn. Large horizontal swaths of muddled green, orange, and yellow, are sparsely separated by lone sets of poppies and peonies, each work representative of the elusiveness of recollection. Like all the work exhibited in Provence, at stake for Scherer is a multivalent intersection between nativity or ‘being at home’, the ever-malleable ideals of beauty, and the construction of&nbsp;oneself.Past works of Scherer’s prefaced these concepts through a use of celebrity figures - like Vincent Cassel, Kate Moss, or Emma Watson. In Provence the focus shifts from the figure as content to the literal ground, the landscape where the imagination or the desire of belonging takes hold, and the something we call ourselves becomes real and mythical all at once.&nbsp; Yves Scherer (Swiss, b. 1987 in Solothurn) lives and works in New York. Recent solo and group exhibitions of Scherer’s work include Yves Scherer (2023) at Tennis Elbow at The Journal Gallery in New York (on view through May 11, 2023), New York Minute (2023) at Galerie Golsa in Oslo, Norway, Goodnight Moon (2022) at The Journal Gallery in Patmos, Greece, Ce qui emporte la décision (2022) at Ceysson &amp; Bénétière in Paris, Louisa Gagliardi &amp; Yves Scherer (2022) at Eva Presenhuber in New York, Leaves of Grass (2020) at Galleri Golsa in Oslo, Candids (2020) at Kunsthaus Grenchen in Grenchen, CH, and Sunset (2019) at Kunstverein Wiesen in Wiesen, Germany. Scherer’s work has been curated in many institutional group exhibitions as well, including Swiss Performance Now (2018) at Kunsthalle Basel, Whistles of Surfaces(2016) at the Point Centre of Contemporary Art in Nicosia, Cyprus, and New Contemporaries (2013) at the ICA Institute of Contemporary Arts in London. The artist has received numerous awards including the Cahier d‘ Artistes, Pro Helvetia in 2016 and the Swiss Art Award at Art Basel in 2015. Scherer received an M.A. in Sculpture from Royal College of Art in London (2014) and a B.A. from the University of Lucerne (2011).&nbsp;

Closing Reception for Yves Scherer

M. LeBlanc is proud to present Provence, an exhibition of work by the Swiss-born New York-based artist Yves Scherer. The exhibition marks Scherer’s debut exhibition at the gallery&nbsp;in Chicago. Comprising the exhibition are new works of painting, sculpture, and lenticular photography.Provence, Scherer’s apt title for the exhibition is named after the famed southern French region, storied not only for its annual cavalcades of tourists but also for its magical light and bucolic flowered landscapes, both of which are&nbsp;iconic subjects in the histories of modern art. Scherer’s use of the region is simply a gesture,&nbsp;a placeholder of memory and attachment, and a shared source of where together we create memories, for ourselves, our families, and our futures.&nbsp;Provence is a space that’s as real and historic as it is performative. It’s in this superfiction that Scherer&nbsp;shaped this most recent body of work.In the midst of the pandemic, Scherer forged a new approach to his painting. Where he had made numerous large airbrush works in the past, this new body of work draws inspiration from historic Swiss landscape painters like Adolf Dietrich or Hans Emmenegger, whose works dot the artist's early life in the Swiss canton of Solothurn. Large horizontal swaths of muddled green, orange, and yellow, are sparsely separated by lone sets of poppies and peonies, each work representative of the elusiveness of recollection. Like all the work exhibited in Provence, at stake for Scherer is a multivalent intersection between nativity or ‘being at home’, the ever-malleable ideals of beauty, and the construction of&nbsp;oneself.Past works of Scherer’s prefaced these concepts through a use of celebrity figures - like Vincent Cassel, Kate Moss, or Emma Watson. In Provence the focus shifts from the figure as content to the literal ground, the landscape where the imagination or the desire of belonging takes hold, and the something we call ourselves becomes real and mythical all at once.&nbsp; Yves Scherer (Swiss, b. 1987 in Solothurn) lives and works in New York. Recent solo and group exhibitions of Scherer’s work include Yves Scherer (2023) at Tennis Elbow at The Journal Gallery in New York (on view through May 11, 2023), New York Minute (2023) at Galerie Golsa in Oslo, Norway, Goodnight Moon (2022) at The Journal Gallery in Patmos, Greece, Ce qui emporte la décision (2022) at Ceysson &amp; Bénétière in Paris, Louisa Gagliardi &amp; Yves Scherer (2022) at Eva Presenhuber in New York, Leaves of Grass (2020) at Galleri Golsa in Oslo, Candids (2020) at Kunsthaus Grenchen in Grenchen, CH, and Sunset (2019) at Kunstverein Wiesen in Wiesen, Germany. Scherer’s work has been curated in many institutional group exhibitions as well, including Swiss Performance Now (2018) at Kunsthalle Basel, Whistles of Surfaces(2016) at the Point Centre of Contemporary Art in Nicosia, Cyprus, and New Contemporaries (2013) at the ICA Institute of Contemporary Arts in London. The artist has received numerous awards including the Cahier d‘ Artistes, Pro Helvetia in 2016 and the Swiss Art Award at Art Basel in 2015. Scherer received an M.A. in Sculpture from Royal College of Art in London (2014) and a B.A. from the University of Lucerne (2011).&nbsp;

Yves Scherer: Provence

M. LeBlanc is proud to present our&nbsp;2023 Group Exhibition,&nbsp;an exhibition of work by artists Israel Aten, Zoe Barcza, Sven Loven, Isabelle Frances McGuire, and Mindy Rose Schwartz.&nbsp;Israel Aten (American, b. 1986 in Detroit) lives and works in Detroit. Select recent solo exhibitions of Aten’s work include Israel Aten (2022) at Galerie Natalia Hug in Cologne, Israel Aten (2021) at What Pipeline in Detroit, and RADAR: Blast Valiant (2016) at LWL-Museum für Kunst und Kultur and Westfälischer Kunstverein in Münster, Germany. Aten’s work has also been curated into numerous group exhibitions in past years, some of which include Birds of a Feather (2020) at Z33 House for Contemporary Art, Design &amp; Architecture in Hasselt, Belgium, Jetzt! Junge Malerei in Deutschland (2019) at Kunstmuseum Bonn, Museum Wiesbaden, Kunstsammlungen Chemnitz, Museum Gunzenhauser, and Deichtorhallen Hamburg. Aten graduated as Meisterschüler from Düsseldorf’s Kunstakademie.&nbsp; Zoe Barcza (Swedish/Canadian, b. 1984) lives and works in Los Angeles. Recent solo exhibitions of Barcza’s work includes Odradek Microplastic Geologic Time Park&nbsp;(2022) at Darren Flook (Freehouse 54) in London, UK, Haute Speech&nbsp;(2021) at ISSUES in Stockholm, SE, Nukeface&nbsp;(2020) at Derosia in NYC, US, and Goblet&nbsp;(2020) at Galerie Croy Nielson in Vienna, AT. In 2013, Barcza attended Hochschule für Bildende Kunst (Städelschule) in Frankfurt am Main, Germany, and Kungliga Konsthögskolan in Stockholm, Sweden. Barcza received a BA from University of Toronto in Canada in 2007. Her work has been the focus of numerous reviews in publications such as ArtForum, Art in America, AQNB, and&nbsp;SFAQ. Sven Loven (American, b. 1978 in New York City) lives and works in New York City. For nearly a decade, Loven’s radically surreal and perverse paintings have surgically excavated the influence contemporary mimetics has on painting, representation, and what it means to make an image today. Select solo exhibitions of Loven’s works include Hell Is Hot. The World Is Cold (2021) at NO Gallery in New York, The Long Zoom (2018) at Galerie Christian Anderson in Copenhagen, and Changeling (2017) at Galerie Jan Kaps in Cologne. Loven’s work has been recently included in group exhibitions such as, NY Biennial (2020) at Bleecker Playground in New York, Post Analog Studio (2019) at The Hole in New York, and CONDO NY (2018) at Foxy Productions in New York. Loven received a BFA degree from The Cooper Union for the Advancement of Science and Art in 2002.Isabelle Frances McGuire (American, b. 1994 in Austin, TX) lives and works in Chicago. Recent solo and two-person exhibitions include Dedicated to Those Who Continue to Dwell in Lightless Descent (2021) at King’s Leap in New York, Dresses Without Women (2020) at Mickey Gallery, Snafu, Shitshow, Clusterfuck (2020) at Julius Caesar in Chicago, P**** B**** Arena (2020), curated by Good Weather at Et Al. in San Francisco, and Digesting Duck Entry Level Position (2020) at From the Desk of Lucy Bull in Los Angeles. McGuire received a BFA degree from the School Of The Art Institute Of Chicago in 2016. Since graduating, McGuire has received several grants including Chicago’s Department Of Cultural Affairs grants in 2022 and a Foundation for Contemporary Arts grant in 2019. In 2021, McGuire was accepted for residency at the Saas-Fee Summer Institute of Art.Mindy Rose Schwartz (American, b. 1965) lives and works in Chicago. Recent solo exhibitions include Interstate Project (2021) in New York, NY, Et al. (2020) in San Francisco, CA, Queer Thoughts (2017) in New York, NY, Balice Hertling (2017) in Paris, FR, Alien Head Key Chains (2017) at Atlanta Contemporary in Atlanta, GA, Slow Gallery (2016) in Chicago, IL, and Neighborhood Watch at Terrain Gallery in Chicago, IL. Select group exhibitions include Watery, Domestic (2002) at The Renaissance Society in Chicago, IL, The NewAuthentics (2007)&nbsp; at The Spertus Museum in Chicago, IL, The NewAuthentics (2008) at Rose Art Museum in Waltham, MA, Artist Run Chicago (2009) at Hyde Park Art Center in Chicago, IL, Conscious Becoming (2021) at Tatjana Pieters Gallery in Ghent, BE, Room E-10 27 (2018) in Berlin, DE, Carlos Ishikawa (London, UK), How Deep Is Your Love? (2017) at Cooper Cole in Toronto, Canada, The Weeping Line (2017) in Alter Space in Los Angeles, CA, and Small Pillow (2015) at Arcadia Missa in London, UK.&nbsp;

2023 Group Exhibition

EXPO Chicago 2023&nbsp; Booth #149 April 13th - 16th, 2023 Peppi Bottrop Ben Foch Paula Kamps Manal Kara Arnold J. Kemp Jonah Koppel James Krone Vincent Larouche&nbsp; Hans-Jörg Mayer&nbsp; Yves Scherer Cameron Spratley

EXPO CHICAGO

M. LeBlanc is proud to present FATHERS, an&nbsp;exhibition of new painting by artist Vincent Larouche.&nbsp;FATHERS is the Larouche's debut solo exhibition at M. LeBlanc, inaugurating the gallery's representation of the artist.&nbsp; Vincent Larouche (Canadian, b. 1995) lives and works in Montreal, Quebec, Canada. Recent exhibitions include Café de Flore (2021) at Interstate Projects in New York, This Sacred Vessel (Part 3) (2021) at Arsenal Contemporary Art, New York,&nbsp;and Ocelle (2020) at Fonderie Darling, curated by Caroline Andrieux, in Montreal. In recent years, Larouche has received the Quebec Arts Council Grant (2022), Canada Arts Council Grant (2021), and The Elizabeth Greenshields Foundation Grant (2019).&nbsp;Image: Vincent Larouche, Sainte Ville&nbsp;(2021), oil on canvas, 54 x 54 in (137 x 137 cm)&nbsp;&nbsp;

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