Please join us for the Artist’s Reception on&nbsp;Friday, January 17 from 5 - 9 pm. The Glass Trap is an exhibition of recent paintings and drawings by the artist<a style="color: rgb(13, 13, 13);" rel="noopener noreferrer" href="https://kimstoragegallery.us22.list-manage.com/track/click?u=63eb3ae92ac5ae9371f4d5ed0&amp;id=69110f4490&amp;e=0feabe6389" target="_blank"> </a><a style="color: rgb(0, 0, 0);" rel="noopener noreferrer" href="https://kimstoragegallery.us22.list-manage.com/track/click?u=63eb3ae92ac5ae9371f4d5ed0&amp;id=69110f4490&amp;e=0feabe6389" target="_blank">Hector Acuna</a> made from direct observation in his studio and outdoors en plein air. What began as a recurring motif in the field, reflections from public mirrors and windows, evolved into a new practice of staging found mirrors and handmade reflective objects as his process and subject. The latest handmade object in his growing collection of homemade props is a custom wooden cube he decorated with hand cut mirrors. How light and space become skewed and fragmented on glass inspires his approach because it holds a tension between what appears familiar yet unfamiliar.&nbsp;The ephemeral quality of light held his primary interest when painting outdoors as he observed successive moments in time. In his studio, his focus shifted towards close and careful observations of mirrored objects against large fields of atmospheric color. Hector explored the elemental role of shape and uncovered opportunities to simplify his subjects into a visual language of sharp and often opaque shapes. He aimed to transform common and everyday subjects with hopes of finding something unexpected. Glass has become an exciting material where themes of scale, interior/exterior space, perception, and self can be explored and where visual combinations seem endless.

 Hector Acuna: The Glass Trap

Located in the heart of Milwaukee, the Kim Storage Gallery is a vibrant space celebrating the creativity of Wisconsin and beyond. This gallery features a diverse mix of museum-quality artwork, ranging from innovative pieces by emerging local talents to esteemed works by established artists. It’s a dynamic hub where art enthusiasts can explore the evolving landscape of contemporary art in an inviting and accessible environment. Jan 4–Feb 15: Hector Acuna:&nbsp;Opening Jan 17, 5–9pmApr 18–May 24: Jordan Scott: Opening Apr 18, 5–9pmMay 30–Jul 3: Third Coast Summer: Opening May 30, 5–8pmJul 18–Aug 16: April Behnke: Opening Jul 18, 5–9pmAug 23–Sept 27: Tim Anderson: Opening Aug 23, 5–8pmOct 3–Nov 8: Michael Banning and Paul Krainak: Opening Oct 17,&nbsp;5–9pmNov 14–Dec 20: Kevin Henkes: Opening Nov 14, 5–8pm Image: Kim Storage,&nbsp;installation view

Kim Storage Gallery

The Glass Trap is an exhibition of recent paintings and drawings by the artist<a style="color: rgb(13, 13, 13);" rel="noopener noreferrer" href="https://kimstoragegallery.us22.list-manage.com/track/click?u=63eb3ae92ac5ae9371f4d5ed0&amp;id=69110f4490&amp;e=0feabe6389" target="_blank"> </a><a style="color: rgb(0, 0, 0);" rel="noopener noreferrer" href="https://kimstoragegallery.us22.list-manage.com/track/click?u=63eb3ae92ac5ae9371f4d5ed0&amp;id=69110f4490&amp;e=0feabe6389" target="_blank">Hector Acuna</a> made from direct observation in his studio and outdoors en plein air. What began as a recurring motif in the field, reflections from public mirrors and windows, evolved into a new practice of staging found mirrors and handmade reflective objects as his process and subject. The latest handmade object in his growing collection of homemade props is a custom wooden cube he decorated with hand cut mirrors. How light and space become skewed and fragmented on glass inspires his approach because it holds a tension between what appears familiar yet unfamiliar.&nbsp;The ephemeral quality of light held his primary interest when painting outdoors as he observed successive moments in time. In his studio, his focus shifted towards close and careful observations of mirrored objects against large fields of atmospheric color. Hector explored the elemental role of shape and uncovered opportunities to simplify his subjects into a visual language of sharp and often opaque shapes. He aimed to transform common and everyday subjects with hopes of finding something unexpected. Glass has become an exciting material where themes of scale, interior/exterior space, perception, and self can be explored and where visual combinations seem endless.

Artist Talk: Hector Acuna

Please join us for the Artist’s Reception on&nbsp;Friday, January 17 from 5 - 9 pm. The Glass Trap is an exhibition of recent paintings and drawings by the artist<a style="color: rgb(13, 13, 13);" rel="noopener noreferrer" href="https://kimstoragegallery.us22.list-manage.com/track/click?u=63eb3ae92ac5ae9371f4d5ed0&amp;id=69110f4490&amp;e=0feabe6389" target="_blank"> </a><a style="color: rgb(0, 0, 0);" rel="noopener noreferrer" href="https://kimstoragegallery.us22.list-manage.com/track/click?u=63eb3ae92ac5ae9371f4d5ed0&amp;id=69110f4490&amp;e=0feabe6389" target="_blank">Hector Acuna</a> made from direct observation in his studio and outdoors en plein air. What began as a recurring motif in the field, reflections from public mirrors and windows, evolved into a new practice of staging found mirrors and handmade reflective objects as his process and subject. The latest handmade object in his growing collection of homemade props is a custom wooden cube he decorated with hand cut mirrors. How light and space become skewed and fragmented on glass inspires his approach because it holds a tension between what appears familiar yet unfamiliar.&nbsp;The ephemeral quality of light held his primary interest when painting outdoors as he observed successive moments in time. In his studio, his focus shifted towards close and careful observations of mirrored objects against large fields of atmospheric color. Hector explored the elemental role of shape and uncovered opportunities to simplify his subjects into a visual language of sharp and often opaque shapes. He aimed to transform common and everyday subjects with hopes of finding something unexpected. Glass has become an exciting material where themes of scale, interior/exterior space, perception, and self can be explored and where visual combinations seem endless.

Artist’s reception: Hector Acuna

Gallery Night MKE

Kim Storage Gallery is pleased to present the latest collection from celebrated artist Alyssa Smith. Titled Mind's Eye, this body of work delves deep into the complexities of conscious and subconsciouscreation, highlighting Smith's unique ability to transform discarded materials into profound expressions of inner life.Alyssa Smith, known for her innovative approach and emotive brushstrokes, brings a fresh perspective to the contemporary art scene. In her own words: Unconscious brushstrokes on discarded muslin become the start of a new project, the color of an eggshell finds its way into the color of a wall – our being left to its own creative path will build bridges out of very little.Smith's work is a testament to the boundless potential of the human mind and the connections we forge in the mind's eye. Her art invites viewers to explore the windows of consciousness that rise to the surface, each veiled to different degrees. She illuminates both the day and the night, showing that we are only ever engaging a very small percentage of true reality.The collection challenges us to consider how we guide our minds with stories built on stories and filtered perceptions. Smith's pieces navigate the delicate balance between inner and outer life, wilderness, and domesticity, revealing the struggle to truly see ourselves and others.

Mind's Eye

The exhibition “Out of the Blue” showcases the captivating Blue Horse series by St. Louis-based artist Maggie Robertson, created between 2019 and 2024. Known for her deeply emotive work exploring the connection between humans and the natural world, Robertson's blue horses evoke a sense of timelessness and ethereal beauty. Drawing from equine history and the inherent bond between horse and human, these paintings – as well as prints and talisman sculptures – explore both the physical grace of the animals and their symbolic resonance throughout history.The artist's fascination with horses shines through each canvas, with vibrant, ultramarine hues and dynamic compositions that invite viewers to contemplate the relationship between man and beast. Each piece reflects the artist’s philosophical exploration of the horse's profound impact on human emotions, as she channels this through expressive brushstrokes and layered textures.This exhibition at Kim Storage Gallery oUers an immersive experience into Robertson’s world, where the majestic equine form becomes a metaphor for strength, freedom, and the human spirit.

Out of the Blue: The Blue Horse Paintings 2019 - 2024

Please join us in the gallery to view our new exhibition <a href=https://kimstoragegallery.us22.list-manage.com/track/click?u=63eb3ae92ac5ae9371f4d5ed0&amp;id=0a4af4d323&amp;e=d8dfcefa40>Up North</a>and to meet Chicago-based artist <a href=https://kimstoragegallery.us22.list-manage.com/track/click?u=63eb3ae92ac5ae9371f4d5ed0&amp;id=243e8de0d8&amp;e=d8dfcefa40>Tim Anderson</a>.&nbsp;MEET AND GREETSaturday, September 14 from 1 to 4PM

Meet and Greet with Artist Tim Anderson

Up North invites viewers into the nostalgic and evocative world of Tim Anderson’s childhood memories, shaped by the rugged landscapes and serene, natural beauty of Couderay, Wisconsin. Anderson’s work in this collection delves deeply into the emotional and physical landscapes of his early years that have indelibly marked his artistic journey.Through his masterful use of oil on canvas and panel, Anderson captures the essence of the Northwoods. At times his palette evokes the cool blues of early morning lakes and the rich greens of dense forests, but more often than not, there are bursts of his favorite color, a harsh Dutch yellow. Each piece serves as a visual diary, offering a glimpse into the intimate and personal moments that have defined his connection to the natural world.Up North is not just a return to the past for Anderson; it’s an invitation for viewers to explore their own connections to place and memory, through the lens of his deeply personal art. This show promises to be a compelling exploration of the places that have shaped Anderson’s work, providing a window into the artist’s soul as he reflects on the environment, people, and stories that continue to inspire him.Image: Argo, Oil on canvas, 36 x 50”

Up North

<a href="mailto:kim@kimstoragegallery.com?subject=Megan%20Woodard%20Johnson%20Arist%20Talk&amp;body=">RSVP</a>The Kim Storage Gallery is thrilled to present "Memorable Ordinary," an exhibition by Wisconsin- based mixed media artist Megan Woodard Johnson. Her art delves into the rich landscape of everyday experiences, layering vintage paper ephemera, paint, and found objects to evoke nostalgia and shared histories. Johnson’s works, such as "New Box of Crayons" and "Walks to School," capture the beauty of seemingly mundane moments that resonate universally. The exhibition kicks off with an opening reception on July 19th from 5 to 9 PM, followed by an artist talk on July 20th at 1:30 PM. Join us to explore the intricate and colorful narratives Johnson weaves into her compelling mixed media pieces.“I love those moments in your life when you think that you have ... this personal thing and then you meet somebody that also has a similar memory or sort of fondness for that thing. There’s an immediate connection then that you have...” – Megan Woodard Johnson, from the Authentic Obsessions with Margret Petrie PodcastImage: Walks to School #7, Mixed Media on panel, 24 x 24”

Artist Talk: Megan Woodard Johnson

The Kim Storage Gallery is thrilled to present "Memorable Ordinary," an exhibition by Wisconsin- based mixed media artist Megan Woodard Johnson. Her art delves into the rich landscape of everyday experiences, layering vintage paper ephemera, paint, and found objects to evoke nostalgia and shared histories. Johnson’s works, such as "New Box of Crayons" and "Walks to School," capture the beauty of seemingly mundane moments that resonate universally. The exhibition kicks off with an opening reception on July 19th from 5 to 9 PM, followed by an artist talk on July 20th at 1:30 PM. Join us to explore the intricate and colorful narratives Johnson weaves into her compelling mixed media pieces.“I love those moments in your life when you think that you have ... this personal thing and then you meet somebody that also has a similar memory or sort of fondness for that thing. There’s an immediate connection then that you have...” – Megan Woodard Johnson, from the Authentic Obsessions with Margret Petrie PodcastImage: MEGAN WOODARD JOHNSON, STRIKING OFF ON MY OWN, 2023

Memorable Ordinary

Exhibition Dates: Friday, May 10 - Saturday, June 8&nbsp;Milwaukee artist Jean Roberts-Guequierre engages with visual sources from the past that evoke the dreamworlds of Netherlandish painter Hieronymus Bosch (ca. 1450 - 1516) and Pieter Breughel the Elder (ca. 1525-1530 - 1569). Adopting the visual vocabulary of those early masters of the moralizing and fanciful pleasure domes and hellscapes, Jean reimagines the imagery to describe the travails of modern life, particularly the experiences of middle-aged women. Her paintings recontextualize the male centric gaze of the past, placing women as powerful actors and voices, unbound by contemporary ideals of beauty and size.Image: Jean Roberts Guequierre, Dulle Griet, Oil on board, 20" x 20"

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