<h3>Below is CGN&#39;s summary of recent art-world news and changes.&nbsp;</h3>

<h3>To send us your news&nbsp;<a href="mailto:info@chicagogallerynews.com?subject=News%20Submission&amp;body=Please%20add%20my%20update%20to%20your%20next%20CGN%20news%20summary.">email us</a>.&nbsp;</h3>

<h3>&nbsp;</h3>

<h3>&bull; Passings</h3>

Sabina Ott, artist, professor and local creative champion died at age 62. After a four-year battle with cancer, Ott passed away at home Tuesday, June 26. She exhibited extensively throughout Chicago any beyond, and she was represented by Aspect/Ratio. <a href="https://www.chicagogallerynews.com/news/2018/6/artist-and-professor-sabina-ott-dies-at-62">Read more here.&nbsp;</a>

Long-time&nbsp;art dealer Roy Boyd died on Wednesday nearly four years after closing his eponymous River North gallery. Read CGN&#39;s full tribute <a href="https://www.chicagogallerynews.com/news/2018/6/founding-river-north-dealer-roy-boyd-has-died">here</a>.&nbsp;

&nbsp;

<h3>&bull; Art World Moves and&nbsp;Updates</h3>

<a href="https://www.chicagogallerynews.com/art-services/leslie-hindman-auctioneers--3">Leslie Hindman Auctioneers </a>announced&nbsp;that the firm appointed Thomas Galbraith as Chief Executive Officer, effective June 4, 2018. He succeeds Hindman who founded the firm in 1982. The appointment follows a private equity investment that positions the firm for aggressive growth. 
&nbsp; 
Galbraith co-founded The Petraeus Group in 2010. The consulting firm has provided growth and start-up strategies to Steven Murphy &amp; Partners, Art Dubai, Paddle8,&nbsp;Arthena&nbsp;and numerous other luxury brands and VC firms. During this time, Galbraith also served as Managing Director of Paddle8 and prior to that as Director of Global Strategy for Artnet. He was most recently appointed interim CEO by the board of Twyla, a Google&nbsp;Ventures backed&nbsp;startup, tasked with repositioning the company towards a more profitable future.

Hindman will be stepping back from the day-to-day operations of the auction house and&nbsp;said,&nbsp;&ldquo;We are extremely excited to have Thomas join us as CEO. With his experience at the&nbsp;cross section&nbsp;of technology and&nbsp;art, and his reputation as a thought leader in the industry, we are poised for future expansion.&quot; Hindman will still serve as Chair of the firm&#39;s board.

Melanee Cooper Gallery, which was based in Chicago in River North&nbsp;until closing in 2009 when Cooper relocated to California,&nbsp;will be&nbsp;re-opening after a nine year hiatus. Cooper calls her return to her original gallery space at 740 N. Franklin Street &quot;serendipitous.&quot;&nbsp;Cooper is pleased to be among her old neighbors and plans a September 7 opening in conjunction with fellow River North galleries and the River North Design District.&nbsp;

&nbsp;

<h3>&bull; Artist Awards and Exhibitions Elsewhere</h3>

Richard Gray Gallery artist and Stony Island Arts Bank founder&nbsp;Theaster Gates received&nbsp;the Kurt Schwitters Prize.&nbsp;The award ceremony took place on the occasion of&nbsp;Theaster Gates: Black Madonna&nbsp;opening at Sprengel Museum Hannover.&nbsp;Spanning across four European institutions,&nbsp;Black Madonna&nbsp;is a multi-part project that explores the history of the black woman and her image. Additionally Theaster Gates: Black Madonna&nbsp;at the Kunstmuseum Basel&nbsp;takes place in&nbsp;two of the museum&rsquo;s locations.&nbsp;

<img alt="" data-caption="Theaster Gates" data-rich-file-id="2838" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2838/original/gates.jpg" />

Ben Blount, whose exhibition Typecast is on view at <a href="https://www.chicagogallerynews.com/calendar/ben-blount-typecast">Aron Packer Projects</a> in the CGN office through July 28, has a billboard up on the 606 Trail at Kimball Ave. featuring his Make American Great Again art &ndash; read between the lines when you go by.&nbsp;

<img alt="" data-caption="Ben Blount's 606 Trail Billboard" data-rich-file-id="2841" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2841/original/blount.jpg" />

Artist&nbsp;Lynn Basa&nbsp;has received the largest public art commission in the history of the Wicker Park and Bucktown neighborhoods for&nbsp;<a href="http://www.wickerparkbucktown.com/art-around-wpb/future/one-big-thing-lynn-basa-s-workers-cottage/">Worker Cottage Parklet</a>, a sculptural installation that pays homage to the traditional Chicago &ldquo;worker cottages&rdquo; frequently found in working- and middle-class neighborhoods in the nineteenth century. The $80,000 commission was awarded to Basa by&nbsp;Wicker Park Bucktown Special Service Area #33, the neighborhood&rsquo;s business improvement district,&nbsp;after an extensive call for artists and jury process led by Chicago art professionals.

Basa&rsquo;s&nbsp;Worker Cottage Parklet&nbsp;will be installed by July 2018 at the highly visible intersection of Milwaukee Avenue and Wood Street in Wicker Park. The intersection was redesigned in 2014 by the Chicago Department of Transportation in collaboration with WPB SSA #33 and 1st Ward Alderman Joe Moreno, to create a safer transit environment and develop a location specifically for a future public artwork.

<img alt="" data-caption="A rendering of Worker Cottage Parklet by Lynn Basa" data-rich-file-id="2839" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2839/original/worker-cottage.jpg" />

A giant silver hand by artist Kavi Gupta Gallery artist&nbsp;Tony Tasset&nbsp;is part of&nbsp;<a href="https://frontart.org">FRONT International Cleveland Triennial for Contemporary Art</a>. When finished, the 7-ton work will stand 21 feet high.&nbsp;FRONT will be held July 14&ndash;Sept. 30 at 18 venues and dozens of sites in downtown Cleveland, Ohio City, University Circle, Akron and Oberlin. (Image pictured at top of page)

<h3>&nbsp;</h3>

<h3>&bull; Announcements</h3>

<a href="http://www.chicagoartdepartment.org">Chicago Art Department</a> is excited to announce the pilot program for the&nbsp;Core Residency Program,&nbsp;an ambitious intervention in the field, one that will challenge&nbsp;artists, organizers, cultural producers to lead studio work, exhibitions, and public programs around topics that matter. 
 
Each of CAD&#39;s Core Residencies will come with the challenge of exploring inside a specific topic, and&nbsp;will be fully-funded with stipends and budgets to support professional development. Core Stipends will be $2000 per residency, which will include $500 to specifically support professional development enrolling in outside programs at organizations such as Hyde Park Art Center, Lillstreet Art Center, Spudnik Press, and Chicago Artists Coalition. Applications are due&nbsp;July&nbsp;8, 2018.

<img alt="" data-caption="Outside the Chicago Art Department" data-rich-file-id="2840" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2840/original/cad.jpg" />

&nbsp;

Top of page: Tony Tasset&#39;s giant hand sculpture will be installed in Cleveland as part of FRONT

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A mostly monthly round up of news from around the Chicago art world.

In the News: Updates from the CGN Art Community Vol. 2

By GINNY VAN ALYEAVeteran art dealer Roy Boyd passed away this morning, according to friend and long-time gallery artist Betty Cleeland.&nbsp;Boyd is&nbsp;survived by four sisters.Boyd's&nbsp;eponymous&nbsp;gallery, which he opened with his late wife Ann&nbsp;in 1972, closed in October 2014 after 42 years in business.&nbsp;Boyd served as president of the Chicago Art Dealers Association from 2003–2007, and the gallery participated in the original&nbsp;International Art Exposition at Navy Pier in the 1980s&nbsp;as well as Art Chicago and other international art fairs for many years.The Boyds opened Roy Boyd Gallery first&nbsp;in suburban Western Springs, before moving in 1976&nbsp;to downtown Chicago near the original site of the Museum of Contemporary Art&nbsp;(the museum opened in 1967 at 237 East Ontario). In 1979 they moved to West Superior Street to the second floor above Young Hoffman Gallery, along with&nbsp;Jack Lemon's&nbsp;Landfall Press. In a 2012 CGN interview&nbsp;Ann Boyd recalled, "It was a wonderful time. There was hardly any activity during the day, but people who came to see us came for a purpose. We were all feeling pressure to have higher ceilings, more space for art, more elbowroom during openings. Some artists thought we were crazy, until they&nbsp;saw the big spaces and recognized the sense of camraderie. Our insurance when we started was $1,500 a month because our agent thought all of our windows would be smashed." By 1983 16 galleries had opened in what would soon be known as River North.&nbsp;The gallery's ultimate home was at&nbsp;739 N. Wells, where the couple lived in an apartment above the gallery.&nbsp;Boyd&nbsp;opened a second location&nbsp;in Los Angeles from 1981–1993.&nbsp;<figure class="image"><img src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2835/original/boyd30th-copy.jpg" alt=""><figcaption>Ann and Roy Boyd with friend Edward Albee (left)</figcaption></figure>Roy became a personal friend&nbsp;during my early years working at Chicago Gallery News and the Chicago Art Dealers Association&nbsp;with Natalie van Straaten, and he continued to be a great supporter&nbsp;throughout my first years as CGN&nbsp;publisher. He was good company, whether he was stopping by our old lower level office on Franklin&nbsp;for a CADA meeeting or just a long chat.One of my favorite memories is from one day in 2007, quite a while before the 2008 presidential election, when attention in town and around the country was growing around Barack Obama. The CGN office was still located &nbsp;at 730 N. Franklin, in the lower level of the Central Arts Building and&nbsp;underneath Andrew Bae Gallery. One of the other tenants in the building was&nbsp;David Axelrod, who was advising Obama at the time. Because his profile was still low, Obama would come to the building for meetings from time to time. One day, while Roy was on my couch for one of our usual chats, we noticed a large SUV pull-up outside the building entrance and saw Obama&nbsp;dash in with his security detail.&nbsp;Others&nbsp;noticed too and&nbsp;gathered to wait&nbsp;in growing numbers. After waiting long enough hoping to&nbsp;glimpse the state senator another time, Roy decided it was time to walk back to the gallery. Wearing his own signature all-black outfit and ball cap, Boyd opened the front door of the Central Arts Building and strode outside into the crowd, which in its frenzy to snap pictures of Obama, ended up with pictures instead of a friendly, but certainly not politically famous, local art dealer, smiling at his mistaken celebrity.&nbsp;<figure class="image"><img src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2836/original/roy2.jpg" alt=""></figure>Roy was always good for a joke and a laugh.&nbsp;His openings promoted and honored his artists and&nbsp;served as gatherings for many art world friends. The post-opening dinners he and Ann threw in their apartment above the gallery&nbsp;were a special chance to&nbsp;relax and connect with new friends and old while celebrating the artist of the evening.&nbsp;Boyd's gallery&nbsp;roster was packed with artists who worked primarily in abstraction. Many painted&nbsp;in&nbsp;vibrant colors and used bold textures, while other artists&nbsp;worked in sculpture using wood, or metal.&nbsp;Over the years represented and exhibited&nbsp;artists included, to name a few,&nbsp;William Conger, Sarah Krepp, Betty Cleeland, Roland Ginzel, Daniel Bodner, Jay Phillips, Joan Livingston, Carlos Estrada-Vega,&nbsp;Jerome Powers, Anne Wilson,&nbsp;Mark Arctander,&nbsp;Teo González, Dan Ramirez, Jay Kelly, John Fraser,&nbsp;Mario Trejo,&nbsp;Brigitte Riesebrodt,&nbsp;Buzz Spector, Joel Perlman,&nbsp;Vadim Katznelson, and Markus Linnenbrink. Many area collections began at the Boyds' gallery, as visitors were drawn in as much by the friendly and knowledgeable dealers&nbsp;as the accessible and appealing art.Roy and Ann kept things interesting for the gallery and for themselves until the end, as they continued to take on&nbsp;new artists whose art they just enjoyed and whose friendship they cherished. In 2013 to mark four decades in business,&nbsp;the Boyds let their artists take over the commeorative exhibition. At the time Boyd said,&nbsp;"We're going to just have a group show for our 40th anniversary. We're letting our artists submit their favorite old work, or they can submit something new. We just wanted to recognize the people we've worked so well with."Ann Boyd passed away in April 2013. Roy is now greatly missed as well.&nbsp;This post will be updated as we confirm more details.&nbsp;Top image: Roy and Ann Boyd, 2007.

Roy Boyd Chicago art dealer passed away June 27, 2018

Founding River North Dealer Roy Boyd Has Died

Artist and Columbia College Chicago professor Sabina Ott died today at age 62 following a hard-fought four year battle with cancer. A mentor as well as fun-loving friend to many, she is a creative force who is greatly missed.&nbsp;

Ott was born in New York City and&nbsp;raised in Los Angeles and received her BFA&nbsp;in painting at the San Francisco Art Institute in 1979 before receiving an MFA in painting there in 1981. She made her way to the &quot;third coast&quot; in 2005 to&nbsp;serve&nbsp;as&nbsp;Chair of Art and Design at Columbia College Chicago and she called&nbsp;the city home from then on.&nbsp;

Exhibiting since 1985, Ott has participated in over 100 solo and group exhibitions at institutions in Sao Paulo, Brazil; Auckland, New Zealand; Melbourne, Australia; and many cities across the US. Her work is in numerous museum collections including The Whitney Museum of American Art, Los Angeles County Museum of Art and the Oakland Museum of Art.&nbsp;In recent years&nbsp;she completed a public art commission for the Chicago Transit Authority and a solo exhibition at the Chicago Cultural Center.&nbsp;

In 2011&nbsp;she founded <a href="https://www.terrainexhibitions.com">Terrain Exhibitions</a> with her husband&nbsp;John Paulett, an author&nbsp;and educator. Terrain is&nbsp;a public exhibition space &ndash; Ott&#39;s front lawn &ndash;&nbsp;in suburban Oak Park&nbsp;dedicated to featuring interventions into the conventional landscape of a front yard by emerging as well as established artists who have been invited to create a site-specific work that challenges the space between public and private, decoration and function, figure and ground. Artworks are intended to be accessible 24 hours a day, 365 days a year.&nbsp;

<img alt="" data-caption="Who Cares for the Sky?, at the Hyde Park Art Center, 2016" data-rich-file-id="2837" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2837/original/sabina-ott.jpg" />

In 2016, Ott constructed a massive,&nbsp;scalable installation of polystyrene, plywood, industrial spray foam and paint for an exhibition, Who Cares for the Sky?, at the <a href="http://www.hydeparkart.org/exhibition-archive/sabina-ott-who-cares-for-the-sky/?_sf_s=sabina">Hyde Park Art Center</a>. A version of the work, Because the mountains were so high,&nbsp;was recreated for a special project at EXPO Chicago that same year. CGN&#39;s Franck Mercurio wrote <a href="https://www.chicagogallerynews.com/news/2016/9/local-artists-create-immersive-environments-at-expo-chicago">about the work</a> as Ott was putting the finishing touches on it:

&quot;Walking through Sabina Ott&rsquo;s grotto-like installation,&nbsp;because the mountains were so high, I ran into the artist herself as she applied finishing touches of white paint to the work&rsquo;s polystyrene and spray foam walls.

&#39;It&rsquo;s not quite done yet,&#39; she said matter-of-factly.

&quot;Ott had borrowed a security guard&rsquo;s stool, using it as an improvised ladder while she touched-up the edges of a video monitor embedded into one of the installation&rsquo;s walls. The Thursday afternoon crowd of art collectors and journalists had just begun to filter through EXPO Chicago&rsquo;s maze of booths. Some people ventured into Ott&rsquo;s installation as the artist continued to work.

&#39;I think I hear my gallerist,&#39;&nbsp;said Ott, as Jefferson Godard of Aspect/Ratio appeared from around the corner.

&#39;Sabina, let&rsquo;s take a walk and see some art!&#39;&nbsp;said Godard.

&nbsp;

In 2019, Ott will be featured in a solo exhibition at <a href="http://www.aspectratioprojects.com">Aspect/Ratio</a>.&nbsp;

To view the many visual tributes to Ott from around the art community, <a href="https://www.instagram.com/explore/tags/sabinaott/">click here</a>.&nbsp;
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Artist and Columbia College Chicago professor Sabina Ott dies

Artist Sabina Ott Dies at 62

<h3>Below is CGN&#39;s summary of recent art-world news and changes. </h3>

<h3>To send us your news <a href="mailto:info@chicagogallerynews.com?subject=Art%20News">email us</a>.&nbsp;</h3>

<h3>&nbsp;</h3>

<h3>&bull; Anniversaries</h3>

The Randolph Street Market kicked off its summer outdoor season last weekend, and it also marked its 15th anniversary. Located at Plumbers Hall at 1341 W. Randolph, when the market first opened in 2003 the West Loop was not the hot spot it is today. Co-founded by Sally Schwartz and former partner Kathleen Finley, the market,&nbsp;formerly known as Chicago Antique Market, now features more than&nbsp;300 vendors in the summer&nbsp;months. To read CGN&#39;s 2017 interview with Schwartz <a href="https://www.chicagogallerynews.com/news/2017/4/in-search-of-the-eclectic">click here</a>.&nbsp;

<img alt="" data-caption="The Richard H. Driehaus Museum in 2014" data-rich-file-id="2804" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2804/original/rdm.jpg" />

The&nbsp;Richard H. Driehaus Museum turns 10 years old this June.&nbsp;In celebration of its milestone tenth anniversary&nbsp;The&nbsp;Museum will reduce regular priced adult admission to $10, from $20, for the weekend of June 8. In addition to the reduced admission, a day of festivities has been planned for Saturday, June 9.&nbsp;The complete schedule of events is available at&nbsp;<a href="http://DriehausMuseum.org/Programs">DriehausMuseum.org/Programs</a>

&nbsp;

<h3>&bull; Art World Moves and&nbsp;Updates</h3>

<a href="http://moniquemeloche.com">Monique Meloche Gallery</a>, which was previously located at 2154&nbsp;W. Division has moved to 451 North Paulina in West Town. The gallery&#39;s&nbsp;inaugural exhibition&nbsp;Jeff Sonhouse:&nbsp;Entrapment&nbsp;opens&nbsp;Saturday, June 9.

Nan Goggin has been named dean of the&nbsp;<a href="https://herron.iupui.edu/index.html">Herron School of Art and Design</a>&nbsp;at IUPUI in Indianapolis effective July 1, subject to approval by the IU Board of Trustees. Goggin previously served as the director of the School of Art and Design at the University of Illinois.

<img alt="" data-caption="Self portrait by artist Dabin Ahn" data-rich-file-id="2802" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2802/original/ahn.jpg" />

<a href="https://www.chicagogallerynews.com/galleries/andrew-bae-gallery">Andrew Bae Gallery </a>announced representation of artist&nbsp;Dabin Ahn, who&nbsp;graduated from&nbsp;SAIC in 201. Ahn will have his first solo show at the gallery&nbsp;on July 13. He is also returning to SAIC to enter the&nbsp;MFA program this fall.&nbsp; 
Ahn, born in Korea,&nbsp;is the first new artist the gallery has added to its roster in 13 years.&nbsp;

New Mexico-based visual artist&nbsp;Holly&nbsp;Roberts, known for her technique of combining digital images with paint, will now be represented by <a href="https://www.chicagogallerynews.com/galleries/schneider-gallery">Schneider Gallery</a> in River North. Much of Roberts&rsquo; thought-provoking work draws from her roots in the Southwest, which holds strong Native American cultural influence.&nbsp;

&nbsp;

<h3>&bull; Announcements</h3>

General registration for the&nbsp;<a href="https://www.chicagogallerynews.com/galleries/filter-photo">2018 Filter Photo Festival&nbsp;</a>opens June 1.&nbsp;Register for&nbsp;workshops and&nbsp;portfolio reviews&nbsp;and take advantage of early bird pricing which is in effect until&nbsp;June 30th. The&nbsp;10th Annual Filter Photo Festival takes place September 27-30 in Chicago.&nbsp;

This May, a cast of&nbsp;M&aacute;ximo,&nbsp;the largest dinosaur ever discovered, is coming to <a href="https://www.chicagogallerynews.com/institutions/field-museum-of-natural-history">The&nbsp;Field Museum</a>.&nbsp;The name, Spanish for &ldquo;maximum&rdquo; or &ldquo;most,&rdquo; is a nod to the titanosaur&rsquo;s enormous size and Argentinian homeland. M&aacute;ximo is 122 feet from head to tail, longer than two accordion CTA buses end-to-end, and his head will peek over the museum&rsquo;s second floor balcony.

The participants in the upcoming fourth annual <a href="https://rivernorthdesigndistrict.com">River North Design District&nbsp;Fall Gallery Walk</a> have been announced. The popular walk is expanding this year to include 12 River North art galleries. Each participting design showroom will&nbsp;exhibit&nbsp;vignettes from Chicago&rsquo;s top designers as they showcase living settings with artwork by contemporary artists. Participants for this year&rsquo;s walk include:&nbsp;PROjECT.interiors featuring Eric Gushee, Hailey Lauren Designs featuring Keysook Geum of Andrew Bae Gallery, Nora Schneider Interior Design featuring Terry O&rsquo;Neill of Hilton | Asmus Contemporary, JOLIE ID featuring Arthur Meyerson of The Rangefinder Gallery at Tamarkin Camera, Stephen Young for Kaufman Segal Design featuring Rose Freymuth Frazier of Gallery Victor Armendariz, London Walder Interior Design and Devon Grace Interiors featuring Robin Denevan of Addington Gallery, Robin Thomas Design featuring Rene Romero Schuler of Zolla Lieberman Gallery, Adam Siegel of The Golden Triangle, Blutter Shiff Design Associates featuring Linc Thelen, Kadlec Architecture + Design featuring Dylan Martinez of Echt Gallery, MOOD Design + Build featuring Daniel Jacob of Echt Gallery, Stone | Kent featuring Xiaofei Yue of Galerie Waterton, Inspired Interiors featuring Wendy Franklin of Vale Craft Gallery, Mitchell Channon Design featuring David Yarrow of Hilton | Asmus Contemporary Gallery, Wike | LaFrey featuring Rick Beck of Ken Saunders Gallery, Mia Rao Design featuring Anna Pales of Gruen Gallery, Sarah Dippold Interior Design featuring Gregory Block of Zolla Lieberman Gallery and Steve + Filip Design featuring Mary Ann Papanek-Miller of Jean Albano Gallery. The walk takes place on Friday, September 7 in conjunction with the opening of the fall gallery season. A special family day takes place Saturday, September 8.&nbsp;The vignettes will be exhibited until October 9th.

The Chicago Print Crawl takes place June 24.&nbsp;The free self-guided tour of 20 printmaking production, publishing, exhibition and sales venues in neighborhoods throughout the city, from to Fata Morgana Press in Bridgeport to Galerie F in Logan Square to Free Range Gallery in Albany Park.&nbsp;An after party will take place at Spudnik Press Cooperative. <a href="https://www.spudnikpress.org/event/chicago-print-crawl/">Details</a>&nbsp;

EXPO CHICAGO announced its list of 135 participating galleries for its seventh edition, its most globlal to date. The fair&#39;s dates are also a little later than usual, September 27-30, 2018,&nbsp;due to the fall holidays. Read the CGN post <a href="https://www.chicagogallerynews.com/news/2018/5/expo-chicago-announces-participating-galleries-for-seventh-edition">here</a>.

The Other Art Fair, presented by&nbsp;online art gallery&nbsp;Saatchi Art, is coming to Chicago September 28-30&nbsp;and is timed to coincide with EXPO Chicago. TOAF showcases work by 130 talented independent and emerging artists and&nbsp;will take place at Mana Contemporary. The fair also takes place in Bristol, England, Melbourne Australia, London, Los Angeles and Brooklyn.&nbsp;<a href="http://chicago.theotherartfair.com">Details</a>.&nbsp;

&nbsp;

Top of page: a dinosaur bone from&nbsp;M&aacute;ximo,&nbsp;the largest dinosaur ever discovered. On view at the Field Museum.
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In the News: Updates from the CGN Art Community 

EXPO CHICAGO announces 135 participating galleries for its seventh edition of the art fair

EXPO CHICAGO Announces Participating Galleries for Seventh Edition 

By GINNY VAN ALYEA

Richard Gray has died at age 89. He passed away yesterday at home in Chicago.

Gray&nbsp;founded<a href="https://www.chicagogallerynews.com/galleries/richard-gray-gallery--2">&nbsp;The Richard Gray Gallery</a> on November 4, 1963, at 155 E. Ontario. Today the gallery, which includes a location in the John Hancock Center downtown and a West Side Warehouse venue, as well as a Madison Avenue space in New York,&nbsp;will continue under the leadership&nbsp;of Gray&#39;s son Paul, and partners Andrew Fabricant and Valerie Carberry.&nbsp;

As of 2012 the&nbsp;gallery&rsquo;s sales were just under $100 million, and&nbsp;clients included&nbsp;more than 10 percent of the Forbes 400 list, including nine members from the Chicago area, as well as&nbsp;collectors and museum curators from Europe, Asia, the Middle East and South America.

The gallery started out modestly in the early 1960s.&nbsp;With&nbsp;a&nbsp;young family at home&nbsp;at the time, Gray had&nbsp;been looking for a new career after working for his father&#39;s construction business for several years. Gray&#39;s wife Mary Kay Lackritz&nbsp;grew up in a family of art collectors, and Gray, who was trained as an architect, was inspired to follow his own passion for art and open a gallery that would allow him to make a personal passion into a profession.

Eventually the gallery occupied&nbsp;620 N. Michigan Ave. for nearly 30 years, before moving in 1995 to the 25th floor of&nbsp;875 N. Michigan in the John Hancock Center, and today the 38th floor.&nbsp;Gray Warehouse opened in April 2017 at&nbsp;2044 W. Carroll in the Kinzie Industrial Corridor in West Town.&nbsp;

According to Natalie van Straaten, founding publisher of Chicago Gallery News and former Executive Director&nbsp;of the Chicago Art Dealers Association (CADA), &quot;Richard Gray was not only recognized and respected&nbsp;in the international art world, but he also helped transform the Chicago art gallery world with vision, guidance and generosity.&nbsp;He was a mentor and model of integrity&nbsp;for other dealers; his encouragement of establishing the CADA, as well as the first international art exposition in Chicag, helped put our city on the map.&nbsp;His gallery&rsquo;s exhibitions of extraordinary artists brought greatness to the city (including Jaume Plensa to the Crown Fountain) and his philanthropy went well beyond the visual arts and the cultural life of Chicago.&quot;

Gray helped found the CADA in 1967 and was one of its early presidents (1967&ndash;1975). He was elected president of the Art Dealers Association of America (ADAA) in 1998, notably the first dealer based outside of New York to hold the position. He served on the board of the Art Institute of Chicago, where&nbsp;an extensive collection of prints and drawings collected by Gray and his wife Mary are shown. He was also a passionate supporter of the Chicago Symphony Orchestr, The Chicago Humanities Festival, and the Smart Museum of Art at the University of Chicago. A&nbsp;center for artistic and scholarly collaboration, the&nbsp;Richard and Mary L. Gray Center for Arts and Inquiry, opened on the campus of the University of Chicago&nbsp;in 2013.&nbsp;

In a 2013 interview with CGN Gray recalled,&nbsp;&ldquo;Maybe because of my architecture background, I had a particular interest in draftsmanship, prints and drawings.&nbsp;When I opened the gallery, I had the idea that I&rsquo;d be handling that kind of thing, and that&rsquo;s what happened. I started out by representing established and emerging artists primarily working on paper.&rdquo;

Gray&#39;s reach continued to expand, and he&nbsp;went on to sell art&nbsp;in a range of mediums by such well known artists as&nbsp;Jules Olitski, Morris Louis, Louise Nevelson, Hans Hofmann, Fernand L&eacute;ger and Jim Dine.&nbsp;The gallery roster continued to grow over the decades to feature David&nbsp;Hockney, Josef Albers, Joseph Cornell, Richard Diebenkorn, Willem de Kooning, Philip Guston, Roy Lichtenstein, Agnes Martin, Henry Moore, Robert Motherwell, Pablo Picasso, Jackson Pollock, Mark Rothko, David Smith, Cy Twombly and Andy Warhol, among many others. Gray also significantly represented&nbsp;aboriginal and African art.

&ldquo;My standards were about trusting my own eye, my own sense of aesthetics,&rdquo; Gray recalled. &ldquo;It wasn&rsquo;t the particular style or period that interested me; it was the individual work of art.&rdquo;&nbsp;

&ldquo;They were the best gallery in Chicago, as far as I was concerned,&rdquo; said artist Jim Dine in 2013, still one of the Grays&rsquo; most-shown artists. &ldquo;Richard has a tremendous eye and a great world view, and he was really the only truly international gallery in Chicago for a long time. I was very pleased to be there.&rdquo;&nbsp;

van Straaten said, &quot;[Richard] will be missed, but what a great legacy he left for Chicago.&quot;

&nbsp;

To read CGN&#39;s 2013 interview with Paul Gray on the occasion of the gallery&#39;s 50th anniversary, <a href="https://www.chicagogallerynews.com/news/2013/9/50-years-a-milestone-arrives-quietly-at-richard-gray-gallery">click here</a>.
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Chicago dealer and art pioneer Richard Gray has died at age 89.

Chicago Art Dealer and Pioneer Richard Gray Has Died at 89

Art Shay, a Chicago-based photographer whose iconic images are known around the world, died Saturday, April 28 in Deerfield at age 96.&nbsp;

Shay&#39;s photography career spanned 70 years, during which he risked his life capturing tragic images of fighting during&nbsp;WWII, and he created images of the Civil Rights movement that revealed to the world people&#39;s struggles and triumphs.&nbsp;

Shay memorialized&nbsp;celebrities and famous figures&nbsp;like Elizabeth Taylor, Simone de Beauvoir, John F. Kennedy, and Nelson Algren, among&nbsp;others, and he got inside Hugh Hefner&#39;s Playboy mansion to capture socializing bunnies and their guests. He worked for LIFE, Time,&nbsp;Sports Illustrated and many other publications. And Shay&nbsp;was on the ground during the tumultous Democratic Convention in Chicago in 1968, reportedly geting maced in the process.

Shay was prolific during his long life and career, and he was admired around the world, but especially in Chicago where he made his home. In 2015 the Musuem of Contemporary Photography gave Shay the Silver Camera award in honor of his important work.&nbsp;

A show of his photographs opens this Friday, May 4 as part of <a href="https://www.chicagogallerynews.com/calendar/art-shay-writers-and-freedom-fighters">Writers and Freedom Fighters</a>&nbsp;at Gallery Victor Armendariz in River North. Shay was previously represented by friend and long-time dealer Ann Nathan.&nbsp;

Click below to read obituaries from other area news outlets:

<a href="https://chicago.suntimes.com/news/art-shay-legendary-photographer-dies-at-96/">Chicago Sun Times</a>

<a href="http://www.chicagotribune.com/entertainment/ct-ent-art-shay-tribute-kogan-sidewalks-0431-story.html">Chicago Tribune</a>

&nbsp;

Top image: Richard and Art Shay, MoCP Silver Camera Award, photography by Jessica Tampas

<img alt="" data-caption="Art Shay, Simone de Beauvoir, silver gelatin print, 14 x 11" data-rich-file-id="2737" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2737/original/simonedebeauvior1950artshay.jpg" />

<img alt="" data-caption="Art Shay, MLK at Chicago Freedom Rally, archival pigment print, 13 x 19 inches" data-rich-file-id="2735" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2735/original/asy64mlking1966web.jpg" />

<img alt="" data-caption="Art Shay, I Am A Man, Memphis, 1968 archival pigment print, 28.5 x 21.5 inches" data-rich-file-id="2733" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2733/original/asy048-artshay.jpg" />

<img alt="" data-caption="Art Shay" data-rich-file-id="2734" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2734/original/asy199activistsinfrontof-2bhilton.jpg" />

Photographer Art Shay Dies

Chicago-based arts writer and School of the Art Institute professor&nbsp;James Yood died yesterday, April 21. He was born in 1952 and received a BA in 1974 from the University of Wisconsin, and received his MA in 1976 and was a PhD candidate at the University of Chicago. He most recently taught Art History, and Theory and Criticism at SAIC and headed the school&#39;s&nbsp;New Arts Journalism program. He also taught at Northwestern University.

Yood was very well known and admired throghout the Chicago and national art community. &nbsp;He wrote for&nbsp;Artforum;&nbsp;GLASS; art ltd; and&nbsp;Visual Art Source.&nbsp;He wrote several books, including&nbsp;Gladys Nilsson;&nbsp;Spirited Visions: Portraits of Chicago Artists, and&nbsp;Second Sight: Printmaking in Chicago 1935-95. Yood was also the Chicago managing editor of the&nbsp;New Art Examiner, which led to writing to Artforum and other international publications.&nbsp;

Yood spent his career sharing Chicago art and artists with the world. He&nbsp;challenged artists&nbsp;to look at their own art more critically in order to strengthen&nbsp;their work and&nbsp;gain broader attention around the country.&nbsp;

Artforum&#39;s tribute to Yood&nbsp;referenced&nbsp;an early&nbsp;essay&nbsp;for the New Art Examiner, which&nbsp;they cite to as a turning point for his own wider recognition: &quot;[Yood]&nbsp;challenged a local trend of exhibiting group shows of &ldquo;emerging&quot; artists: &#39;It would be, quite simply, impossible to gauge trends in Chicago art by the work of these emergent artists, besides noting that young artists are the same everywhere: anything goes,&#39;&nbsp;he mused. &#39;Perhaps part of the cosmopolitanization of Chicago will be the loss of what some see as its idiosyncratic and fussy style.&#39;&nbsp;The piece made an impression, and soon after it was published in 1986, he began reviewing for national and international outlets like&nbsp;Artforum&nbsp;and&nbsp;Aperture.&quot;

In an interview by Tom Burtonwood for <a href="http://www.chicagoartistsresource.org/artist-stories/james-yood-contemporary-art-critic-and-essayist">Chicago Artists Resource</a> in 2008, Yood said, when asked what critics contribute to the arts community, &quot;We&#39;re part of the mix&mdash;along with artists, dealers, curators, and collectors&mdash;that in the aggregate help create the context of contemporary art. We can help conversations get started, and (sorry if this sound pretentious!), we&#39;re part of the peer group that begins the process of evaluation, of historical reckoning. It&#39;s an awkward process, sometimes painful and unfair, and sometimes altered by subsequent events. But it&#39;s the system that has evolved steadily over the last two centuries, that artists create art and then it leaves the studio and enters the world where it becomes a commodity, both financially and intellectually, that gets picked at and assessed, consumed in a way by its diverse audiences. I&#39;m part of that audience, with the astounding good fortune that some art magazines, etc., are willing to let me think out loud, so to speak, about what I see.&quot;

Details on a planned service on April 27 may be <a href="https://www.legacy.com/obituaries/chicagotribune/obituary.aspx?n=james-yood&amp;pid=188815949&amp;fhid=14572">found here</a>.&nbsp;

Click here for the <a href="https://www.artforum.com/news/james-yood-19522018-75105">Artforum</a> tribute.&nbsp;

Photo courtesy of SAIC

Art Critic and SAIC Professor James Yood Dies

Yesterday at the Art Institute of Chicago, some very generous donors made it&nbsp;rain. Well, it was actually sunny outside, finally, but inside there was news of some mega donations being made by members of the museum&#39;s board of trustees. Following is the press release shared by the Art Institute. The two significant gifts were cultivated by president James Rondeau, ensuring&nbsp;strength and development for the museum for years to come. &ndash;GV

&nbsp;

The Art Institute of Chicago announced today a $50 million unrestricted gift from Janet and Craig Duchossois and a $20 million gift from Robert and Diane v.S. Levy for acquisitions and operations. These historic gifts advance the museum&rsquo;s civic mission and enable bold planning for the future.&nbsp;

&ldquo;It is an honor to work with trustees whose foresight and generosity will shape the museum&rsquo;s impact on our community for generations to come,&rdquo; said James Rondeau, President and Eloise W. Martin Director. &ldquo;Gifts such as these allow the museum to look forward with certainty and ambition, serving our city as one of the world&rsquo;s greatest art museums.&rdquo; 
 
Janet Duchossois shared, &ldquo;Craig and I chose to make this unrestricted gift to demonstrate our confidence and support of James Rondeau and the board. We are proud to be partners in their strategy and approach for the museum both today and in the future.&rdquo;&nbsp; 
 
A Voting Trustee of the Art Institute Board of Trustees, Janet Duchossois is also Chair of the museum&rsquo;s Sustaining Fellows. She serves as Co-Chair of the Committee on Libraries and is a member of the committees on Modern and Contemporary Art and Prints and Drawings. Craig Duchossois is CEO of The Duchossois Group, a privately held, family-owned company with holdings in the consumer products, technology, and service sectors. He is Vice Chair of the boards of the University of Chicago Medical Center and the Illinois Institute of Technology, and serves on the boards of the University of Chicago, the Culver Educational Foundation, World Business Chicago, and the Executives&rsquo; Club of Chicago 
 
Robert Levy is in his second term as Chair of the Art Institute&rsquo;s Board of Trustees. He is a retired partner, chairman, and chief investment officer for U.S. Equities at Harris Associates L.P. Mr. Levy is vice chair of the board at the University of Pennsylvania and chairs The Power of Penn campaign. He also serves as president of the Robert M. Levy and Diane v.S. Levy Family Foundation, which he founded with his wife, Diane von Schlegell Levy. Diane v.S. Levy is currently a member of the Art Institute&rsquo;s committees on Textiles, European Decorative Arts, and Ancient and Byzantine Arts. Mrs. Levy is also a member of the Board of Trustees of the Field Museum, the Board of Directors of Chicago Botanic Garden, and served on the Board of Overseers of the Penn Museum for 10 years. 
 
&ldquo;We have a strong and committed board of trustees, dedicated to our role as an active civic partner, accessible to all members of our community,&rdquo; said Robert Levy. &ldquo;This extraordinary gift from Janet and Craig is critical to fulfilling the museum&rsquo;s mission and enhancing our visitors&rsquo; experiences.&rdquo; ##

Image:&nbsp;The Art Institute of Chicago.&nbsp;The Woman&#39;s Board Grand Staircase.&nbsp;Courtesy of the Art Institute of Chicago.
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A Very Good Day for the Art Institute of Chicago

<a href="https://www.expochicago.com">EXPO CHICAGO</a> gets closer every day, and the closer it gets, the more this upcoming edition takes shape. &nbsp;As is typical of the fair, they continue to build their programming lineup and to expand their international ties.&nbsp;

Yesterday the art fair announced that for its seventh annual exhibition, taking place again on Navy Pier&nbsp;September 27&ndash;30, 2018, they are&nbsp;rolling&nbsp;out some major&nbsp;programmatic expansions here at home as well as in Europe.&nbsp;The biggest announcement was about an&nbsp;onsite panel and performance at the&nbsp;U.S. Pavilion&nbsp;of the&nbsp;16th Architecture Biennale in Venice, Italy. Participants from Chicago will include Niall Atkinson, Ann Lui, and Mimi Zeiger of the School of the Art Institute of Chicago and the University of Chicago, panelists Amanda Williams,&nbsp;Andres L. Hernandez,&nbsp;and&nbsp;Shani Crowe and&nbsp;moderator&nbsp;Stephanie Cristello,&nbsp;EXPO CHICAGO Director of Programming and Editor-in-Chief of&nbsp;THE SEEN.

They also trumpeted&nbsp;the third annual /Dialogues Symposium,&nbsp;Present Histories: Art &amp; Design in Chicago, that will address&nbsp;select art and design legacies produced in the city and take&nbsp;place during EXPO CHICAGO in conjunction with the&nbsp;Terra Foundation for American Art&rsquo;s initiative&nbsp;Art Design Chicago, presented in partnership with the School of the Art Institute of Chicago. Additional details from the April 11 EXPO press release are shared below. &ndash;GV

<h2>EXPO CHICAGO at the U.S. Pavilion&nbsp;2018 Venice Architecture Biennale</h2>

<h3>SUNDAY, MAY 27, 2018</h3>

For the first time ever, the U.S. Pavilion at the Venice Architecture Biennale will be curated by a joint team led by Niall Atkinson, Ann Lui, and Mimi Zeiger of the School of the Art Institute of Chicago and the University of Chicago. Their vision,&nbsp;Dimensions of Citizenship, will challenge architects, designers, artists, and critics to respond to transformative modes of belonging at radically different scales, from the citizen to the cosmos.&nbsp;EXPO CHICAGO will partner with SAIC and the University of Chicago to&nbsp;present a program as part&nbsp;of the official Vernissage for the U.S. Pavilion on&nbsp;Sunday, May 27, 2018.

10:45&ndash;11:30am 
Panel Discussion 
Location | U.S. Pavilion at the Venice Biennale 
Panelists | Amanda Williams&nbsp;(Chicago-based Artist and Architect, Participant in the U.S. Pavilion),&nbsp;Andres L. Hernandez&nbsp;(Chicago-based Artist and Architect, Participant in the U.S. Pavilion) and&nbsp;Shani Crowe&nbsp;(Chicago-based Artist). Moderated by EXPO CHICAGO Director of Programming and Editor-in-Chief of&nbsp;THE SEEN,&nbsp;Stephanie Cristello. 
&nbsp; 
Tackling questions of citizenship status, gender and race at the intersection of history, theory and practice of art and architecture, this panel will explore the unique ways in which black women have historically navigated and shaped space to advance their position in American society. Highlighting the historical figures of Harriet Jacobs and Harriet Tubman as muses, this conversation will trace the impact of American history on Williams and Hernandez&rsquo;s practice, complemented by a performative element by Shani Crowe, preceding the conversation.&nbsp; 
 
For more information, click&nbsp;<a href="https://www.expochicago.com/programs/year-round">here</a>. 
&nbsp; 
Presented in partnership with the commissioners of the U.S. Pavilion, the School of the Art Institute of Chicago and the University of Chicago.

<h2>/Dialogues at EXPO CHICAGO</h2>

<h3>Symposium |&nbsp;Present Histories:&nbsp;Art &amp; Design in Chicago 
 
FRIDAY, SEPTEMBER 28</h3>

A curated component of the full /Dialogues program, presented in partnership with the&nbsp;School of the Art Institute of Chicago, the third annual Symposium will feature a day-long series of discussions open to all EXPO CHICAGO visitors, presented in alignment with&nbsp;Art Design Chicago&nbsp;and the Terra Foundation for American Art. Entitled&nbsp;Present Histories: Art &amp; Design in Chicago,&nbsp;the Symposium will trace select artistic and design legacies produced in the city, spanning from 1968&ndash;2018, as well as their impact on the larger social, aesthetic, and cultural movements from the twentieth-century to the present.&nbsp; 
 
For more information, click&nbsp;<a href="https://www.expochicago.com/programs/dialogues/2018-symposium">here</a>. 
&nbsp; 
Presented in partnership with the Terra Foundation for American Art and Art Design Chicago. 
 
&nbsp; &nbsp; &nbsp;&nbsp; 
 
&nbsp;

<h3>Full Schedule:&nbsp;/Dialogues Stage</h3>

Sept 28,&nbsp;11:30am 
Performance:&nbsp;R&eacute;v&eacute;rence&nbsp; 
 
Artist&nbsp;Brendan Fernandes&nbsp;(Artist | Monique Meloche Gallery)&nbsp;stages a site-specific iteration of his performative work&nbsp;R&eacute;v&eacute;rence&nbsp;(2015), featuring a series of choreographed dancers to both welcome and confront the audience. Using his training in classical ballet, alongside his unique cultural background as a Kenyan-Indian-Canadian, the performance features classically-trained dancers from the Joffrey Academy of Dance to question identity and power dynamics. 
 
12:00pm &ndash; 1:00pm 
Brendan Fernandes | In Conversation with Sarah Thornton 
 
This discussion, between author and sociologist of culture Sarah Thornton with Chicago-based artist Brendan Fernandes, will trace the impact of Fernandes&rsquo; work, as well as the role of performance in his practice, which questions positions of power, control and &lsquo;queering space.&rsquo;

Sept 28,&nbsp;2:00&ndash;3:00pm 
AfriCOBRA: Chicago in the Age of Black Power&nbsp; 
Featuring&nbsp;|&nbsp;Gerald Williams&nbsp;(Artist | Kavi Gupta Gallery, Founding Member of AfriCOBRA) 
 
This panel is presented in alignment with Art Design Chicago exhibitions at the Smart Museum of Art and the DuSable Museum of African American History,&nbsp;South Side Stories: Rethinking Chicago Art, 1960&ndash;1980&nbsp;and&nbsp;South Side Stories: Holdings,&nbsp;which focuses on the Black Arts Movement&mdash;from the Civil Rights Movement to AfriCOBRA.&nbsp;

Sept 28,&nbsp;4:00&ndash;5:00pm 
Alterity and the Exhibition Environment: Feminist History of Alternative Spaces in Chicago&nbsp;

Panelists |&nbsp;Lynne Warren&nbsp;(Adjunct Curator, Museum of Contemporary Art Chicago),&nbsp;Torkwase Dyson(Artist | Rhona Hoffman Gallery),&nbsp;and&nbsp;Kay Rosen&nbsp;(Artist | Alexander Gray and Associates, ARC Member). Moderated by&nbsp;Jenni Sorkin&nbsp;(SAIC BFA 1999), (Associate Professor, History of Art &amp; Architecture, University of California, Santa Barbara).

Alternative spaces are often discussed within the canon of Chicago&rsquo;s exhibition history. Yet, these spaces also played a parallel role in the activities that defined feminist art and social practice in the city&rsquo;s scene. This conversation will trace the histories and roles of feminism in Chicago&#39;s alternative spaces from the 1970s to the present. 
&nbsp; 
Sept 28,&nbsp;5:00pm 
Publication Launch |&nbsp;Art in Chicago: A History from the Fire to Now 
Published by the Terra Foundation for American Art, this newly launched publication will be available for a book signing at the /Dialogues Stage through the University of Chicago Press.

Screening | Designers in Film: A Glimpse into the Goldsholl Archive 
A screening of select films and reels produced by Goldsholl and Associates&mdash;whose films, televi-sion ads and other moving image work innovated &ldquo;designs-in-film&rdquo;&mdash;will be on view at the /Dialogues Stage, as an inter-lude to the final conversation in the Symposium on Chicago&rsquo;s Mid-Century impact on the adve-rtising and commercial industry at large.

Sept 28,&nbsp;5:30&ndash;6:30pm 
Making the Modern Image:&nbsp;Mid-Century Commercial Industry in Chicago 
Panelists&nbsp;|&nbsp;Theaster Gates&nbsp;(Artist | Rebuild Foundation),&nbsp;Corinne&nbsp;Granof&nbsp;(Curator of Academic Programs, Block Museum of Art, Northwestern University) and&nbsp;Lara Allison&nbsp;(Lecturer, Art History, Theory and Criticism,&nbsp;School of the Art Institute of Chicago). Moderated by&nbsp;Michael Golec&nbsp;(Associate Professor, Art History, Theory and Criticism, SAIC). 
 
Through recent exhibitions that relate the advertising and commercial publications industries to the context of contemporary art, this discussion will trace Chicago&rsquo;s contribution to the glossy image that defined the Mid-Century aesthetic. Examining the political, social and cultural impact of these design philosophies, this panel will look at the national impact of firms and companies whose work pushed industry boundaries through avant-garde approaches.&nbsp;

Top image:&nbsp;Gerald Williams,&nbsp;Portrait Y,&nbsp;1970&ndash;2007.&nbsp;Acrylic on linen.&nbsp;24 x 18 inches. Image courtesy of the artist and Kavi Gupta Gallery, Chicago.

EXPO CHICAGO Announces 2018 Programmatic Expansion

After 15 years on North Peoria in the West Loop, and over 40 years in the art business,&nbsp;Rhona Hoffman Gallery has relocated to 1711 W. Chicago Ave. in West Town, joining a growing group of galleries who have moved for more affordable rent and to be part of an emerging gallery community. Hoffman&#39;s inaugural exhibition in the new space,&nbsp;Judy Ledgerwood: Far From The Tree, opens Friday, April 6 and runs through May 19. This is the artist&#39;s fifth solo show with the gallery.&nbsp;

Three years ago, Hoffman signed her last lease in the West Loop. Since then, the surrounding neighborhood, and its price per square foot,&nbsp;changed rapidly, spurring the consideration of a major move instead of closing the doors.&nbsp;

Hoffman told CGN on Thursday, &quot;The exhibition of Judy Ledgerwood&#39;s unbelievably beautiful, color-filled paintings make us even more excited to show the public our new gallery space designed by John Vinci.&quot;

<img alt="" data-caption="Judy Ledgerwood, Hopscotch Chelsea Rose, 2018, Oil on canvas, 76 x 46 inches. Courtesy of the artist and Rhona Hoffman Gallery." data-rich-file-id="2697" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2697/original/jledgerwood-hopscotch-chelsea-rose-2018-preview.jpg" />

Ledgerwood is known for using bright colors in her paintings and experimenting with various textures and patterns. According to the gallery&#39;s show description, &quot;The visual pleasure, luminosity, and optical stimulation primary in Judy Ledgerwood&rsquo;s new paintings are hinged upon their embedded conceptual complexity. For over thirty years the Chicago-based painter has been dismantling the canon of Abstract Painting from within by using disruptive color combinations, deconstructing the minimal / conceptual grid, and employing decidedly feminine forms.

<img alt="" data-caption="Judy Ledgerwood, Yoni, 2017, Oil and metallic oil on canvas, 60 x 50 inches. Courtesy of the artist and Rhona Hoffman Gallery." data-rich-file-id="2696" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2696/original/jl1.jpg" />

Maximalist color and provocative shapes are primary agents in Judy Ledgerwood&rsquo;s engagement with historical painting.&nbsp;Whether interrupting rich blues with unexpected green, orange, and yellows in&nbsp;Tiny Dancer&nbsp;or combining glowing orange with translucent mustard browns in&nbsp;Sheela,&nbsp;Judy Ledgerwood always provokes viewers to extend beyond complacent enjoyment and actively engage with looking.&nbsp;In&nbsp;Hopscotch Chelsea Rose&nbsp;and&nbsp;Drunkard&rsquo;s Path,&nbsp;quilting patterns serve&nbsp;as the instrument to organize Ledgerwood&rsquo;s characteristic chevron and quatrefoil matrix.&nbsp;

In&nbsp;Far From The Tree,&nbsp;Judy Ledgerwood&rsquo;s signature shapes are augmented with circles, diamonds, chevrons, and seed-like forms associated with Paleolithic and Neolithic goddesses. The artist refers to these shapes as &ldquo;ciphers of feminine power&rdquo; - rooted in the generative, flexible Yonic form. Manipulating the grid, shape, and color of large-scale contemporary painting, Ledgerwood shatters the canon from within to create a distinct, feminist painting voice.

Far From The Tree&nbsp;opens Friday, April 6, 5-7:30pm&nbsp;at <a href="https://www.chicagogallerynews.com/galleries/rhona-hoffman-gallery--2">Rhona Hoffman Gallery</a> at 1711 W. Chicago Ave. in West Town.

&nbsp;

<a href="https://www.chicagogallerynews.com/news/2015/9/rhona-hoffman-40-years-of-having-fun">Click here</a>&nbsp;to read Kevin Nance&#39;s 2015 interview with Rhona Hoffman.

<a href="https://www.chicagogallerynews.com/news/2015/5/artist-insights-judy-ledgerwood">Click here</a>&nbsp;to read Laura Mettam&#39;s 2015 interview with Judy Ledgerwood.&nbsp;

&nbsp;

Top image: Left &ndash; Photo of Hoffman by Kevin Nance for CGN from 2015; &nbsp;Right &ndash;&nbsp;Judy Ledgerwood, Drunkards Path, 2018, Oil and metallic oil on canvas, 78 x 48 inches. Courtesy of the artist and Rhona Hoffman Gallery
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Rhona Hoffman Gallery moves to West Town and opens Judy Ledgerwood show

Rhona Hoffman Gallery Moves to West Town; First Show Features Judy Ledgerwood

By GINNY VAN ALYEA

Last month the John Toomey Gallery announced a generational succession as well as a name change.&nbsp;According to the press release, after&nbsp;three decades John Toomey Gallery&nbsp;has been a leading specialty auction house and private seller, and it is now known as <a href="https://www.chicagogallerynews.com/art-services/toomey-co-auctioneers">Toomey &amp; Co. Auctioneers</a>, marking a new era for a company that, since 1987, has built a reputation of integrity and of being well equipped to compete with large, global auction houses. &nbsp;&nbsp;

John Toomey will assume the role of a hands-on consultant for Toomey &amp; Co. Auctioneers, while turning over the company&rsquo;s management to Lucy Toomey, formerly Senior Vice President, who will now serve as CEO.&nbsp;

&ldquo;Times change and the industry progresses, and it&rsquo;s important that we evolve and adapt to meet the demands of our business as it is today,&rdquo; said John Toomey. &ldquo;The past 30 years have been fantastic, and it&rsquo;s time for the next generation to expand their role. I&rsquo;m proud of what&rsquo;s been created thus far&nbsp;&mdash;&nbsp;and I&rsquo;m very proud of the team that is taking the reins now.&rdquo;

In December 2017, John Toomey Gallery ended its partnership with Treadway Gallery of Cincinnati after previously conducting auctions jointly as Treadway Toomey Auctions.

&ldquo;It&rsquo;s an exciting time in our industry and we look forward to continuing to work with our current clients and developing relationships with new clients&nbsp;&mdash;&nbsp;ensuring that we are providing the best 21st-century service, with the same value system that we always have had in place,&rdquo; said Lucy Toomey. &ldquo;The enthusiastic feedback we&rsquo;ve received regarding the new business has been very encouraging.&rdquo;

At Toomey &amp; Co., Joe Stanfield and John Walcher will serve as Vice Presidents, while also continuing in their roles as Senior Specialists. Lisanne Dickson will continue as Senior Specialist and Rebecca Williams will assume a Specialist position. Director of Operations Kevin Mannella and his entire staff will remain in place.

<img alt="" data-caption="The group at Toomey &amp; Co." data-rich-file-id="2690" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2690/original/grouptoomey.jpg" />

Toomey &amp; Co. Auctioneers will continue to provide the service and expertise that the company&rsquo;s clients are accustomed to, and auctions will continue to be conducted at the same Oak Park location where they have been held for the past 30 years.&nbsp;They plan to hold several&nbsp;curated auctions each year and will continue to specialize in&nbsp;Fine Art, Early 20th Century Design, Modern Design, Fine Furniture &amp; Decorative Arts, Silver &amp; Objects of Vertu, and Fine Jewelry &amp; Timepieces. &nbsp;

The Toomey+ Online Marketplace&nbsp;offers&nbsp;an exclusive, curated selection of Prairie School design, Arts &amp; Crafts, Fine Art, Modern Design, furniture, lighting, and more.

Toomey &amp; Co. Auctioneers&rsquo; first sale, under its new brand, is scheduled for Sunday, April 8, 2018. Highlights include works by Jim Nutt, Roger Brown, David Hockney,&nbsp;Lucio Fontana, Ed Paschke,&nbsp;Robert Lostutter, Thomas Hart Benton,&nbsp;Karl Wirsum,&nbsp;and others.&nbsp;

Additional contact details and info may be found <a href="https://www.chicagogallerynews.com/art-services/toomey-co-auctioneers">here</a>.

Images from the upcoming April 8 auction:

<img alt="" data-caption="Jim Nutt (American, b. 1938) Where Is It?, 1981, colored pencil and graphite on paper signed, titled and dated on verso 11 3/4&quot; x 13 3/4&quot;. Est. $15,000-20,000" data-rich-file-id="2691" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2691/original/nutt.jpg" />

<img alt="" data-caption="David Hockney (British, b. 1937) Henry Seated with Tulips (from Friends Series), 1976 color lithograph signed, dated and numbered in pencil A.P. edition of 20 41 1/2&quot; x 29 1/2&quot;. Est. $3,000-5,000" data-rich-file-id="2692" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2692/original/hockney.jpg" />

<img alt="" data-caption="Roger Brown (American, 1941-1997) Standing Around While All Are Sinking, 1977 etching and aquatint signed and numbered in pencil 19 1/2&quot; x 15 1/2&quot;. Est. $2,000-4,000" data-rich-file-id="2689" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2689/original/brown.jpg" />

<img alt="" data-caption="Thomas Hart Benton (American, 1889-1975) Nebraska Evening, 1941 lithograph signed in pencil lower right edition of 250 10&quot; x 13&quot; Est. $1,500-2,500" data-rich-file-id="2687" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2687/original/benton.jpg" />

&nbsp;

Top image: From&nbsp;John Toomey Gallery&#39;s 20th Century Art &amp; Design auction, December 2017: Charles Eames (1907-1978) &amp; Ray Eames (1912-1988) for Herman Miller early&nbsp;DCW, pair,&nbsp;Grand Rapids, Michigan, c.1949,&nbsp;natural and ebonized plywood,&nbsp;early Evans/ Herman Miller paper label,&nbsp;original finish,&nbsp;19.5&quot;w x 21&quot;d x 29&quot;h.&nbsp;Sold for $2,470
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John Toomey Gallery announces a change to Toomey & Co. Auctioneers in 2018

Toomey & Co. Auctioneers Represents a New Generation in Auctions

The second edition of the Chicago Architecture Biennial just wrapped up a few weeks ago, but plans are already very much underway for the next edition, opening in fall 2019. Today the Chicago Architecture Biennial (CAB) and Mayor Rahm Emanuel announced the appointment of&nbsp;Yesomi Umolu,&nbsp;Exhibitions Curator at the Reva and David Logan Center for the Arts at the University of Chicago,&nbsp;as the 2019 Artistic Director.&nbsp;&nbsp;Ms. Umolu brings years of experience and expertise in contemporary art with a particular curatorial focus on "spatial practices" to her initial training in the field of architecture. Together these experiences and insights bring a unique vision to the third Biennial.&nbsp;With a background in architectural design and curatorial studies, Umolu focuses her work on global contemporary art and spatial practices. Her recent projectshave explored the politics of the built environment. Umolu currently holds the position of Exhibitions Curator at the Reva and David Logan Center for the Arts at the University of Chicago, and is a visiting lecturer, critic, and speaker at a number of international universities and institutions.“I am honored to be invited to serve as Artistic Director of the 2019 Chicago Architecture Biennial,” said Umolu. “Having my roots in the field of architecture, spatial questions have always been an important consideration of my work with contemporary artists, architects, and urbanists from across the world. I am excited to embark on the journey of engaging the city of Chicago and it publics, as well as visitors to Chicago from across the country and around the world, in these conversations.”Jack Guthman, Chairman of the Biennial, said, “We are delighted that Yesomi Umolu will serve as the Artistic Director of the 2019 Chicago Architecture Biennial. Her broad curatorial experience makes her ideally suited to build upon the critical acclaim accorded to our 2015 and 2017 Biennials by our dual constituencies—the architecture profession worldwide, as well as Chicagoans and visitors to our city.”In the coming months, Umolu will formalize and convene an international curatorial team of creative practitioners with strong knowledge of visual arts, architecture, and design practices globally. The members of the curatorial team will be announced this spring. Umolu’s vision for the next Chicago Architecture Biennial features the exploration of emerging practices and global locations that are developing new approaches to architecture, urbanism, and spatial practice. Through this process, she will use the Biennial as a forum to explore creative responses to shifting spatial conditions at local, regional, and international levels.“Yesomi is a visionary curator with strong roots in Chicago, and she will work tirelessly to cultivate an incredible cultural, educational, and economic event for the city,” said Mayor Emanuel. “With Yesomi at the helm, the third Chicago Architecture Biennial is sure to secure its reputation as the most innovative architectural, art, and design showcase of its kind.”“We are delighted by Yesomi Umolu’s appointment as the next Artistic Director of the Chicago Architecture Biennial.&nbsp;The appointment further testifies to the curatorial imagination and dexterity she has demonstrated so well at the Logan Center for the Arts.&nbsp; By consistently showcasing the best in architectural innovation—in a city renowned for its architectural achievements—the Biennial advances the conversation about the potential impact of design.&nbsp; That conversation is playing an increasing role at the University of Chicago, and it is vital, of course, to the future of Chicago’s South Side, as to cities around the world,” added Daniel Diermeier, Provost of the University of Chicago.Following a successful partnership in 2017, the opening of the 2019 edition will align with EXPO CHICAGO, the International Exposition of Contemporary and Modern Art, which will present its 8th edition, and the main site of the Biennial will once again be the Chicago Cultural Center,&nbsp;located downtown near the Art Institute of Chicago. This edition of the Biennial will be under the leadership of Executive Director Todd Palmer, who also served as Executive Director of the 2017 edition.<h3>To read CGN's 2017 profile of&nbsp;Yesomi Umolu, <a href="https://www.chicagogallerynews.com/news/2017/4/expanding-exhibitions-at-the-logan-center">click here</a>.&nbsp;</h3>For more information about the Chicago Architecture Biennial&nbsp;<a href="http://chicagoarchitecturebiennial.org/news/chicago-architecture-biennial-announces-the-appointment-of-yesomi-umolu-as-the-artistic-director-2019-biennial/?utm_source=2017+Updated+VIP+List+%28BL%29&amp;utm_campaign=57fceb6bad-EMAIL_CAMPAIGN_2018_03_02&amp;utm_medium=email&amp;utm_term=0_d8d186783f-57fceb6bad-271010429">click&nbsp;here</a>.&nbsp;

Yesomi Umolu named 2019 Artistic Director of Chicago Architecture Biennial

Curator Yesomi Umolu Named Artistic Director of 3rd Chicago Architecture Biennial 

On a sun-filled late winter Sunday,&nbsp;Mayor Rahm Emanuel joined the Department of Cultural Affairs and Special Events and theMART (the building&nbsp;formerly known as The Merchandise Mart)&nbsp;to propose something that will put public art in an entirely new light.

The Mayor announced&nbsp;Art on theMart, a permanent large-scale lighting installation that will come to Chicago for the foreseeable future, starting this fall. The art will project across nearly three acres of the southern facing fa&ccedil;ade of theMART. The building, which includes more than four million square feet behind that facade, was once the biggest in the world.

&ldquo;Large, temporary projections have been done around the world, but the permanency and size of Art on theMART will provide a canvas for art to evolve and thrive,&rdquo; said Myron Maurer, Chief Operating Officer, theMART.&nbsp;Similar displays have been projected on&nbsp;the Sydney Opera House and at St. Peter&rsquo;s Basilica.

Following the popularity of Chicago&#39;s Riverwalk, as well as 2017&#39;s Year of Public Art, the Mayor said,&nbsp;&ldquo;Iconic art and cultural programming on the Riverwalk has always been&nbsp;inherent and integral in helping us embrace the river as the city&rsquo;s newest recreational frontier,&rdquo; said Mayor Emanuel. &ldquo;Art on theMart&nbsp;will be a visionary project that brings new energy to the Riverwalk, while strengthening Chicago&rsquo;s legacy of public art.&rdquo; One can imagine it will also make the river a vibrant destination beyond the summer months.&nbsp;The City and theMART will enter into a 30-year agreement to facilitate the project pending City Council approval.&nbsp; 
 
The installation project, privately funded by Vornado Realty Trust, is slated for a fall 2018 completion. The funding means that the projections will not be branded or feature sponsorships; they will totally feature art.

<img alt="" data-caption="Projection rendering" data-rich-file-id="2617" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2617/original/art-on-themart-rendering.jpg" />

In 2017, theMART, engaged creative studio Obscura Digital and the Chicago based architectural firm Valerio Dewalt Train, to develop a feasibility study for projecting art on the south, river-facing facade of theMART. Obscura Digital&nbsp;is the foremost design engineer of large projection installations with the technical and design skills capable of developing architectural images at this scale. 
&nbsp; 
Said Myron Maurer, Chief Operating Officer of theMART,&nbsp;&ldquo;As one of Chicago&rsquo;s most prominent buildings, theMART has been part of the city&rsquo;s history since the 1930s.&nbsp;Art on theMART&nbsp;will further cement Chicago&rsquo;s reputation as a dedicated champion for iconic public art.&rdquo;

As the public face of the Mart changes, from a center of commerce and design trade to one much more closely linked with a digital and technology future. 
&nbsp; 
Art on theMART&nbsp;marks the first time a projection of its size and scope will be completely dedicated to art projection with no branding, sponsorship credits, or messaging allowed.&nbsp;It will be a curated, ongoing series of ever-changing installations that will begin after dusk for pedestrians and residents to enjoy. The City and theMART will be working in partnership in the management and ongoing curation of the projected art work. 
&nbsp; 
&ldquo;We&rsquo;re eager to welcome&nbsp;Art on theMART&nbsp;into the pantheon of iconic public artworks in Chicago,&rdquo; said Mark Kelly, Commissioner of the Department of Cultural Affairs and Special Events. &ldquo;This installation is a result of Chicago&rsquo;s first Public Art Plan and has the potential to be as impactful as Cloud Gate and the Picasso, two public art works which have transformed how we see and experience our city.&rdquo; 
&nbsp; 
In 2017, the City of Chicago celebrated the &quot;Year of Public Art&quot; which culminated with hundreds of new works of public art throughout the city and the creation of Chicago&rsquo;s first Public Art Plan. The new plan is a blueprint that will help shape the future of public art in Chicago and shift how we interact, talk about and support works of art that can be viewed by all. As part of the plan, the City of Chicago explored options for siting more public art throughout the city and&nbsp;Art on theMART&nbsp;is a result of those efforts.&nbsp;Art on theMART&nbsp;exemplifies the city&rsquo;s commitment to infusing arts and culture throughout its neighborhoods for all residents and visitors to enjoy, and is a key driver of the rising tourism numbers and last year&rsquo;s record-setting 55.2 million visitors from across the globe.&nbsp; 
&nbsp; 
Art on theMART&nbsp;will be dedicated to public digital art, providing Chicago residents and visitors with an enhanced public art experience. theMART and the City of Chicago, through its Department of Cultural Affairs and Special Events, will establish a selective process for identifying local, national and international artists and their work to be included in immersive gallery shows, which will include both static and moving imagery. Additionally, partnerships with city museums and art institutions will showcase the best of Chicago and celebrate the incredible artistic culture of the city. 
&nbsp; 
The&nbsp;Chicago Riverwalk&nbsp;is presented by the City of Chicago with programming produced by the Chicago Department of Cultural Affairs and Special Events in collaboration with the Chicago Department of Fleet and Facility Management, Choose Chicago, the Chicago Park District and the vendors and boat tour operators along the Riverwalk.

theMART is interwoven into the fabric of Chicago as an innovator in culture, art, business, fashion, media and more. theMART is the world&rsquo;s largest commercial building, wholesale design center and one of Chicago&rsquo;s premier international business locations. Encompassing 4.2 million gross square feet, theMART spans two city blocks and rises 25 stories, and is visited by an average of 30,000 people each business day; in total, nearly 10 million people visit theMART each year.&nbsp;

Artist Tyrue Jones, who is from Chicago and based here,&nbsp;is among the first to be featured.

For more information about the Chicago Riverwalk and a complete schedule of events, visit&nbsp;<a href="http://chicagoriverwalk.us">chicagoriverwalk.us</a>&mdash;and join the conversation on social media using&nbsp;#ChiRiverwalk.

Public Art in Chicago is About to Get Really Big

This past week, the&nbsp;Winter Olympic began in PyeongChang, South Korea. During the opening ceremony&nbsp;art&nbsp;by a Korean artist, who is represented by&nbsp;a local Chicago gallery, was on view for the world.&nbsp;

<img alt="" data-rich-file-id="2586" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2586/original/image2-2.jpg" />

Chicago dealer&nbsp;Andrew Bae announced that Andrew Bae Gallery&nbsp;artist&nbsp;Dr. Keysook Geum had the honor of designing the dresses and uniforms for the Pyeongchang Olympics opening ceremony. Geum&#39;s works are well-known to gallery patrons and passersby in River North, as her delicate, actually wearable&nbsp;creations are frequently hung in the gallery&#39;s street-side windows at the corner of Franklin and Superior Streets.&nbsp;

<img alt="" data-rich-file-id="2579" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2579/original/8010a0-a837c24841ce499eb655b210a615a66f.jpg" />

Bae&nbsp;shared that he is&nbsp;truly excited for the artist and that, &quot;Indeed, my favorite part of being a gallery owner is showcasing and discussing art with visitors and patrons.&quot; Seeing these works in person is a delight - during past openings the works have been modeled and worn around the gallery. Seeing them worn on an international stage was something else.

<img alt="" data-rich-file-id="2585" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2585/original/image1.jpg" />

Bae came to America from Korea&nbsp;at the age&nbsp;23, and the&nbsp;gallery&#39;s program features a&nbsp;group of select artists from Korea and Japan. ABG has been representing Keysook Geum for 17 years. The artist&nbsp;was invited to give a lecture to the students of the School of the Art Institute&#39;s&nbsp;Fashion Department in 2015. Her next&nbsp;solo show at the gallery is scheduled for&nbsp;November 2018.&nbsp;

Click <a href="https://www.pyeongchang2018.com/en/news/lead-pyeongchang-2018-unveils-podiums-costumes-for-victory-ceremonies">here</a> to read&nbsp;more about the work of Dr. Keysook Geum and the 2018&nbsp;PyeongChang Winter Olympics.

&nbsp;

Top photo: Courtesy AOL

Artist Dr. Keysook Geum at Olympics Opening Ceremony

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417640/ry94zkhemjlizarltybc.jpg"></figure>&nbsp;CGN StaffChicago's westward&nbsp;art expansion continues. Yesterday the Chicago Artists Coalition formally announced that they are moving the CAC to&nbsp;a new location at 2130-40 West Fulton Street in the dynamic Kinzie Industrial Corridor in spring 2018. CAC will be neighbors with Gray Warehouse, which moved to 2044 W Carroll in April 2017. They will also be near Spudnik Press and Linc Thelen Gallery, as well as&nbsp;Filter Photo and other tenants at&nbsp;Hubbard Street Lofts, 1821 W Hubbard.&nbsp;The new location will occupy 6,286 sq. ft. of a 55,000 sq. ft. building, providing CAC with the option to grow its footprint over time.&nbsp; The <a href="https://www.chicagogallerynews.com/news/2014/6/chicago-artists-coalition-takes-a-bite-out-of-40">44-year-old</a>, non-profit organization has been at its current West Loop/Fulton Market&nbsp;location at 217 North Carpenter for the past seven years.“We have truly appreciated the community support that we received at our current building in the Fulton Market District,” said CAC Executive Director, Caroline Older.&nbsp; “As we continue to grow, the new location just west of the District will provide benefits that will allow us to serve an even wider community and to be more easily accessed by those we serve.” CAC’s new space will be customized to create a unique arts center for both the artists that CAC serves and the public. Improvements include a single-floor layout that will be ADA accessible, a dedicated education space, and enhanced artist studios and galleries. The location also provides easy access from downtown and the highways, and is close to the new Damen Avenue CTA “L” stop slated to open in 2020. Partners on the&nbsp;project include Larry Serota of commercial real estate firm,&nbsp;Transwestern, architect&nbsp;Ware Malcomb, general contractor&nbsp;Braun Renovation Management, and building owner&nbsp;EverWest Real Estate Partners, LLC. The buildout of the space will begin in March 2018, with CAC moving in June 2018. One of the first looks at the space will take place on June 7, when CAC welcomes guests to its annual benefit gala,&nbsp;WORK IN PROGRESS, at the new location. CAC is grateful to the Arts &amp; Culture Loan Fund, a program of the&nbsp;John D. and Catherine T. MacArthur Foundation, which provides small and medium-sized arts and culture organizations with loans to address cash flow needs. Qualifying for the program and loan enables CAC to plan for the move to its new location.Established in 1974, the Chicago Artists Coalition, is a non-profit organization that supports emerging Chicago artists through education, artist residencies, and exhibitions—providing them with the resources to live, work, and thrive in the city. CAC is committed to building a diverse community of artist leaders who define the place of art in our city’s culture and economy, and to cultivating a wide-reaching civic, philanthropic, and public support network that enhances the impact of contemporary artists in Chicago.More details on CAC and its current programming may be found <a href="https://www.chicagogallerynews.com/galleries/chicago-artists-coalition-cac">here</a>.&nbsp;​Image: 2130-40 W. Fulton St, with rendering by CAC artist, Erik Peterson, of his work,&nbsp;Seep.&nbsp;&nbsp;</body></html>

Chicago Artists Coalition is moving to Kinzie Corridor

Chicago Artists Coalition Moving West Spring 2018

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721417657/j2njykvga27uuejxbnpt.jpg"></figure>By GINNY VAN ALYEACatherine Edelman celebrated her eponymous gallery's 30th anniversary on Thursday evening (the official opening date was December 1, 1987). Though Edelman hosted the party, it was her many friends, collectors, artists, past staff members and art world colleagues&nbsp;who came, from near and far,&nbsp;to toast Edelman and the significant&nbsp;role the gallery has played in Chicago and beyond in raising the profile of photography in the art world. Photographer Terry Evans applauded Edelman for having earned the reputation as fair and honest in all areas of her business, particularly when it comes to paying her artists immediately upon any sale through the gallery.&nbsp;Edelman opened the gallery at the end of&nbsp;1987 more or less by accident – first she was a metalsmith major, and then she wanted to be a museum curator once she switched her major to photography –&nbsp;and was soon noted as a top Midwestern gallery devoted to exclusively showing photography.&nbsp;Today the gallery continues its founding mission of exhibiting art by both emerging and veteran&nbsp;artists. Edelman's first show in 1987 was&nbsp;the&nbsp;Ballad of Sexual Dependency&nbsp;by Nan Goldin. The gallery's website notes that 'CEG has shown everything from street photography (Susan Meiselas, Sebastiao Salgado, James Nachtwey) to fashion photography (Annie Leibovitz, Herb Ritts, Matthew Rolston) to traditional landscape images (Michael Kenna, Lynn Geesaman) to social-conscious work (Richard Misrach, Jeffrey Wolin, Terry Evans, Allen Ginsberg) to images created as a springboard for story-telling (Joel-Peter Witkin, Elizabeth Ernst, Dan Estabrook) etc. Recent shows at the gallery include the major exhibition, Sandro Miller: Malkovich, Malkovich, Malkovich - Homage to photographic masters. The exhibit debuted in Chicago in 2014 and traveled to Los Angeles, Poland, Australia, Germany, Wyoming, France, and Amsterdam.'Edelman said on Thurdsay night that she doesn't really&nbsp;like getting up in front of a crowd, but she took the occasion to&nbsp;give&nbsp;heartfelt credit to the many people who have supported her over the years,&nbsp;emphasizing&nbsp;the very personal, even familial,&nbsp;nature of the art business. It was&nbsp;clear that she&nbsp;has truly loved working with so many artists and collectors over the years, and that she is also eager to look ahead to the future of the gallery.Congratulations Cathy!&nbsp;&nbsp;Top image courtesy of the gallery: pictured, back row:&nbsp;Julie Blackmon, Elizabeth Ernst, Cathy Edelman,&nbsp;Terry Evans,&nbsp;Jess T. Dugan, Daniel Beltra,&nbsp;Clarissa M. Bonet,&nbsp;Sandro Miller; front row:&nbsp;Ysabel LeMay,&nbsp;Shana Parkeharrison, Douglas Prince</body></html>

Catherine Edelman Gallery's 30th Anniversary 

Catherine Edelman Gallery Marks 30 Years

By GINNY VAN ALYEA

<img alt="" data-rich-file-id="2472" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2472/original/yocylogo.jpg" />

As the first ever Year of Public Art wraps up in the coming weeks,&nbsp;Mayor Rahm Emanuel and the Chicago Department of Cultural Affairs and Special Events (DCASE) announced that they have designated 2018 as the &ldquo;Year of Creative Youth.&rdquo; The official naming means that&nbsp;the City has pledged&nbsp;$2 million to related programming and events and will be behind&nbsp;a Creative Youth Festival that will take place across the Millennium Park Campus on September 22, 2018, offering performance opportunities for teens at city festivals and partner events, as well as cultural grants and convenings for youth arts organizations. The event will showcase teen artists in dance, theatre, music, spoken word, the visual arts and more. Details will be announced next year.

DCASE will collaborate with Chicago Public Schools and Ingenuity, Chicago Park District, Chicago Public Library, the Department of Family and Support Services and other city departments to engage Chicago&rsquo;s youth and youth arts organizations. As part of the Year of Creative Youth, the city will work with After School Matters, Chicago Children&rsquo;s Theatre, Chicago Youth Symphony Orchestras, Free Spirit Media, Marwen, SkyArt, Urban Gateways, Yollocalli Arts Reach-National Museum of Mexican Art and Young Chicago Authors and other organizations to inspire the next generation of artists.

Seeking to build up Chicago&#39;s reputation as an arts-centric city that attracts visitors from around the world, Mayor Emanuel said,&nbsp;&ldquo;The Year of Creative Youth provides an incredible opportunity to support the creativity and growth of artistic children across Chicago,&quot;

<img alt="" data-caption="A Marwen student" data-rich-file-id="2471" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2471/original/marwen-photog-phil-dembinki.jpg" />

The Year of Creative Youth annoucement follows the Mayor&#39;s the unveiling a few days prior&nbsp;of the City&#39;s first&nbsp;<a href="https://www.cityofchicago.org/city/en/depts/dca/provdrs/public_art_program/news/2017/october/public_art_plan.html">Public Art Plan</a>, through which&nbsp;Mayor Emanuel wishes to establish&nbsp;continued investments for art and cultural affairs in the 2018 budget. Proposed amusement tax changes will close an existing loophole that benefited large live performance venues while cutting taxes for neighborhood theaters. The goal is to free up&nbsp;revenue to support expanded youth programming, as well as capital projects and cultural investments across the city.

&ldquo;Chicago should be very proud of its innovative youth arts organizations&mdash;and the many cultural institutions that are committed to unleashing the creative potential of our teens and young adults,&rdquo; said DCASE Commissioner Mark Kelly. &ldquo;We are pleased to announce IncentOvate grants for six of these amazing institutions.&rdquo;

A $1.8 million investment will support the new Creative Youth Festival, expanding of existing City of Chicago cultural programming that engages youth, performance stipends for teens at City of Chicago festivals and partner events, convenings for arts educators and young artists and a marketing campaign.

An additional $200,000, amounting to nearly half of the Cultural Grants Program-IncentOvate funds awarded by DCASE will be designated to support creative youth. IncentOvate grantees organizing creative youth-focused projects include:

Art Institute of Chicago &ndash; Teen Programs 
Chicago Children&rsquo;s Choir &ndash; Long Way Home 
Inner-City Muslim Action Network &ndash; Beloved Community Ceramic Arts Studio 
Lincoln Park Zoo &ndash; Wild Marshall Square Sculpture Project 
National Museum of Mexican Art &ndash; Year of Creative Youth Exhibition and Chill Set Series 
Old Town School of Folk Music &ndash; Music Moves: An Arts &amp; Community Wellness Initiative

The complete list of grantees will be announced in the coming months.

The Year of Creative Youth is part of the Mayor&rsquo;s citywide vision for raising up youth in Chicago, including the extensive One Summer Chicago jobs program, Mayor Emanuel&rsquo;s Mentoring Initiative, Chicago City of Learning, the Chicago Public Schools Arts Education Plan, Night Out In the Parks presented by the Chicago Park District, YOUmedia at select Chicago Public Library locations and more. For details&nbsp;visit&nbsp;<a href="http://cityofchicago.org/yocy">cityofchicago.org/youth</a>

The Year of Creative Youth is also aligned with &ldquo;Art Design Chicago,&rdquo; a citywide initiative of the Terra Foundation for American Art&mdash;featuring over 25 exhibitions and hundreds of public programs in 2018. Arts education and youth engagement will be important components of the overall program, including art making workshops and field trips.

To read CGN&#39;s fall 2017 interview with DCASE Commissioner Mark Kelly on the Year of Public Art, please <a href="https://www.chicagogallerynews.com/news/2017/8/commissioner-mark-kelly-chicago-s-out-of-the-box-culture-wizard-on-public-art">click here</a>.&nbsp;

Top image: Marwen students

City of Chicago designates 2018 Year of Creative Youth

2018 is City's Year of Creative Youth

<html><head></head><body><figure class="image"><img src="https://res.cloudinary.com/dfafo598z/image/upload/v1721418161/jbd2rzscq3ot9q5f9vqq.jpg"></figure>&nbsp;Photographer&nbsp;Dawoud Bey was awarded the presigious MacArthur Foundation Genius Grant this week in recognition of his exploration of the role of portraiture and photography in examining life and history in America.Bey is represented in Chicago by <a href="https://www.chicagogallerynews.com/galleries/stephen-daiter-gallery">Stephen Daiter Gallery</a> and he is a professor of photography at Columbia College Chicago.&nbsp;Following is the announcement from the MacArthur Foundation:Dawoud Bey&nbsp;is a photographer and educator whose portraits of people, many from marginalized communities, compel viewers to consider the reality of the subjects' own social presence and histories. Through his expansive approach to photography—which includes deep engagement with his subjects and museum-based projects—Bey is making institutional spaces more accessible to the communities in which they are situated.During a residency in 1992 at the Addison Gallery of American Art at Phillips Andover, Bey embarked on what would become an ongoing series of portraits of high school students. He made his artistic practice more public and accessible, involving the students in shaping their own representations and working in a semi-public studio. The resultant large-scale, multiple-image works are powerful expressions of the youthful subjects' respective individualities, still in the throes of being formed and negotiated. Bey expanded on this project in&nbsp;Class Pictures&nbsp;(2002–2006), a body of work produced in collaboration with young people and institutions throughout the United States. In addition to playing a role in the construction of their psychologically rich portraits, the students provided written texts about themselves to accompany Bey's photographs of them, creating another layer of evocative self-definition. The exhibitions, public programming, and educational outreach Bey conceived as components of&nbsp;Class Pictures&nbsp;turned the museum into a vehicle for creating a closer relationship between institutions, youth, and the communities they inhabit.More recently, Bey has focused on the construction of collective history and memory. In&nbsp;The Birmingham Project(2013), he commemorates the lives of six children killed in the 1963 bombing of the Sixteenth Street Baptist Church and its aftermath in Birmingham, Alabama, through a series of portraits of Birmingham residents whose ages correspond either to the ages of the children in 1963 or to how old they would have been fifty years later in 2013. In another recent project,&nbsp;Harlem Redux&nbsp;(2014–2017), Bey returns to the site of his first project,&nbsp;Harlem, U.S.A. (1975–1979), but in this instance he focuses on the urban landscape and its transformation spurred by gentrification. Through his own work and long-time commitment to educating and mentoring young artists, Bey is redefining the role of photography and portraiture as active agents in the examination and formation of communities.BIOGRAPHYDawoud Bey received a B.F.A. (1990) from Empire State College of the State University of New York and an M.F.A. (1993) from Yale University. His work has been included in solo and group exhibitions at the Metropolitan Museum of Art, the Art Institute of Chicago, the Studio Museum in Harlem, the Walker Art Center, the National Portrait Gallery (London), and the Whitney Museum of American Art, among many others. In 1998, he joined the faculty of&nbsp;Columbia College Chicago, where he is currently a professor in the Department of Photography and a former Distinguished College Artist.Read <a href="https://www.macfound.org/fellows/984/">more here</a> and watch a video about Bey.Photo:&nbsp;John D. &amp; Catherine T. MacArthur Foundation</body></html>

Photographer Dawoud Bey Awarded Prestigious MacArthur Genius Grant

By GINNY VAN ALYEA

Earlier this summer when I interviewed DCASE Commissioner Mark Kelly, he told me a secret about a major public art announcement that would be revealed in the fall. Well, finally the secret is out: on Thursday Mayor Rahm Emanuel and the&nbsp;Chicago&nbsp;Department&nbsp;of&nbsp;Cultural&nbsp;Affairs&nbsp;and&nbsp;Special&nbsp;Events&nbsp;(DCASE) shared that&nbsp;internationally renowned artist and MacArthur Fellow&nbsp;Kerry James Marshall&nbsp;will create an epic, large-scale mural for the&nbsp;Chicago Cultural Center&nbsp;(78 E. Washington St.), honoring 20 women who have shaped the city&rsquo;s vibrant arts and culture landscape. Work on the mural began the same day that the announcement was made, and it is expected to continue throughout next month. The Garland Court facade has previously been blank.&nbsp;

<img alt="" data-caption="Artist Kerry James Marshall" data-rich-file-id="2353" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2353/original/kerry-20james-20marshal-20fb.jpg" />

When all is finished the 132-foot by 100-foot mural, which&nbsp;will be located outdoors and&nbsp;installed on the Cultural Center&#39;s&nbsp;west-facing Garland Court fa&ccedil;ade, between Washington and Randolph Streets,&nbsp;will be the largest artwork Kerry James Marshall&nbsp;has ever designed or created. The creation of the mural also&nbsp;coincides with the City&#39;s month-long Public Art Festival&nbsp;during Chicago&rsquo;s&nbsp;Year of Public Art.

&ldquo;Chicago is recognized across the country and around the world as an epicenter of innovative art, architecture and design,&rdquo; said Mayor Rahm Emanuel. &ldquo;Kerry James Marshall&rsquo;s new mural on&nbsp;the&nbsp;iconic&nbsp;Chicago Cultural Center will be a strong addition to Chicago&rsquo;s public art portfolio and a fitting&nbsp;commemoration of Chicago&rsquo;s Year of Public Art.&rdquo;

The Chicago Cultural Center is&nbsp;the first and most comprehensive free large-municipal cultural venue in the county.&nbsp;It is currently home to the&nbsp;Chicago Architecture Biennial, which runs through January 7, 2018.

&ldquo;When I was asked to design a mural for narrow Garland Court, it was immediately clear to me that the site had to be &lsquo;opened up&rsquo; in some way,&rdquo; said Kerry James Marshall. &ldquo;My solution was a park-like view with a bright sun and stand of trees to bring light and green space to the location while at the same time honoring&nbsp;the mission of the building as the hub of artistic activity in Chicago. My idea was to make of the trees a kind of Forest Rushmore acknowledging the contribution of 20 women who&rsquo;ve worked to shape the cultural landscape of the city, past and present.&rdquo;

<img alt="" data-caption="The current facade of the Chicago Cultural Center. What was once most likely overlooked will soon be sought out. " data-rich-file-id="2354" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2354/original/chicago-cultural-center-garland-court.jpg" />

The mural is funded by&nbsp;Murals of Acceptance, whose goal is to bring art to all people in a free public setting.&nbsp;

&ldquo;Kerry James Marshall is&nbsp;one of our nation&rsquo;s most acclaimed and important artists&mdash;and this mural for &ldquo;The People&rsquo;s Palace&rdquo; is a true gift to the people of Chicago,&rdquo; said DCASE Commissioner Mark Kelly. &ldquo;The City of Chicago was thrilled to celebrate Kerry at the Fifth Star Honors this summer &ndash; and two of the women represented in his mural are past Fifth Star honorees: Lois Weisberg and Sandra Cisneros.&rdquo;

The 20 women represented in Kerry James Marshall&rsquo;s mural are a who&rsquo;s who of Chicago&rsquo;s arts and culture community:

Suzanne Ghez, Director and Chief Curator for nearly 40 years, The Renaissance Society 
Barbara Gaines, Founder and Artistic Director, Chicago Shakespeare Theater 
Jacqueline Russell, Founder and Artistic Director, Chicago Children&rsquo;s Theatre 
Ruth Page, Dancer, Choreographer and Founder, Ruth Page Center for the Arts 
Lois Weisberg, Longest-serving Commissioner of the Chicago Department of Cultural Affairs 
Maggie Daley, Longest-serving First Lady of the City of Chicago 
Jackie Taylor, Founder and CEO, Black Ensemble Theater 
Monica Haslip, Founder and Executive Director, Little Black Pearl 
Abena Joan Brown, Founder, eta Creative Arts Foundation 
Margaret Burroughs, Founder, DuSable Museum of African American History 
Harriet Monroe, Founder, Poetry Magazine 
Cheryl Lynn Bruce, Co-founder, Goodman Theatre / Dearborn Homes Youth Drama Workshop 
Sandra Delgado, Founding Ensemble Member, Collaboraction 
Jane Saks, Founding Director of the Ellen Stone Belic Institute and Project&amp; 
Barbara Jones-Hogu, Founding Member, AfriCobra 
Gwendolyn Brooks, Literary Icon 
Sandra Cisneros, Literary Icon 
Achy Obejas, Pulitzer Prize-winning journalist 
Oprah Winfrey, Cultural Icon 
Joan Gray, Dancer and Longtime President of Muntu Dance Theatre of Chicago

Kerry James Marshall&nbsp;is an artist and MacArthur Fellow. A deeply accomplished artist, Marshall&nbsp;uses many types of mediums, including collage, drawings, murals and even comic books. His work is known for referencing African American culture and history, including the Civil Rights era and the Black Power movement.&nbsp;Painting in a Realist style, he depicts dark figures that celebrate black beauty and confront general racial stereotypes within contemporary American society.&nbsp;He has received solo exhibitions throughout Europe and North America and his work has been included in such prestigious international exhibitions as the 1997 Whitney Biennial, the 2003 Venice Biennial, the 2009 Gwangju Biennial, two Documentas (1997 and 2007) and the 1999 Carnegie International.&nbsp;Debuting at the Museum of Contemporary Art in Chicago in April 2016, Marshall&rsquo;s retrospective&nbsp;Mastry&nbsp;spanned his 35-year career and included nearly 80 original pieces. On August 28, 2017, the City of Chicago presented Kerry James Marshall with the Fifth Star Honor Award for his many contributions to our city&rsquo;s cultural landscape.

The design and vision&nbsp;created by Marshall will be executed&nbsp;by Chicago mural artist Jeff Zimmermann and his team from Jazim, Inc.

In addition to the work on Kerry James Marshall&rsquo;s mural at the Chicago Cultural Center, the City of Chicago will present a month-long Public Art Festival throughout October featuring&nbsp;a series of neighborhood events highlighting the city&rsquo;s public art collection located throughout the city. Programs will celebrate the completion of several new artworks as part of the 50x50 Neighborhood Arts Project, a citywide initiative that commissioned dozens of local artists to create new sculptures, murals and other public artworks in Chicago&rsquo;s 50 wards,representing a $1.5 million investment in artist-led community projects. In June, the City of Chicago announced&nbsp;the selected local artists and the participating communities. Many of these works are in the early stages of production and will be dedicated during the festival.

The month-long&nbsp;Public Art Festival&nbsp;in October will culminate with a Public Art Symposium on October 26 and 27 at the Chicago Cultural Center (78 East Washington St.). The symposium will convene artists, scholars, community organizers and public agents to explore the intersecting values of their work in public art. The symposium coincides with the release of Chicago&rsquo;s first Public Art Plan, a set of recommendations that will help shape the future of public art in Chicago.

The complete press release is available <a href="https://www.cityofchicago.org/city/en/depts/dca/provdrs/public_art_program/news/2017/september/kjm.html">here</a>.&nbsp;

The announcement of a mural by artist Kerry James Marshall at the Chicago Cultural Center

Kerry James Marshall Monumental Mural Announced for the Chicago Cultural Center

We received the following press announcement from the MCA regarding the smashing success of Takashi Murakami: The Octopus Eats Its Own Leg.&nbsp;The exhibition and artwork by Murakami were featured on the <a href="https://www.chicagogallerynews.com/news/2017/5/publisher-s-letter-summer-s-fresh-take-on-art">summer 2017 issue</a> of Chicago Gallery News. The show also inspired our summer post about <a href="https://www.chicagogallerynews.com/news/2017/6/who-s-ever-heard-of-a-pink-octopus-enjoy-art-with-your-family-this-summer">seeing art as a family</a>.&nbsp;

The news was also a timely reminder that the show closes this coming Sunday, September 24. Don&#39;t wait to get timed-entrance tickets before it&#39;s too late.

Congratulations MCA! &ndash; GV

<img alt="" data-caption="The Summer 2017 CGN featured Takashi Murakami's &quot;ZuZaZaZaZaZa&quot;, 1994." data-rich-file-id="2345" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2345/original/cgn-cover-summer2017.jpg" />

&nbsp;

<img alt="" data-caption="Visitors in Takashi Murakami: The Octopus Eats Its Own Leg. Photo: Nathan Keay." data-rich-file-id="2348" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2348/original/murakamicrowds.jpg" />

<h3>&nbsp;</h3>

September 20, 2017

<h3>NEWS ALERT | Murakami Breaks Attendance Record Today</h3>

The&nbsp;Takashi Murakami&nbsp;exhibition officially broke the David Bowie attendance record of 193,000, making it the&nbsp;all-time highest attended exhibition&nbsp;in the MCA&#39;s 50-year history. Visitors&nbsp;still have five days to see the exhibition, it runs through Sunday, September 24. 
&nbsp; 
Takashi Murakami: The Octopus Eats Its Own Leg&nbsp;features the art and culture icon&#39;s immersive paintings, including several never-before-seen works. Murakami is widely known for both his fine art and commercial output -- including collaborations with pop icons such as Kanye West and fashion house Louis Vuitton -- and his ability to straddle high and low, ancient and modern, eastern and western, commercial and fine art. The exhibition is curated by MCA Chief Curator Michael Darling, who said in regards to setting a new attendance record for the museum, &quot;The audiences for this show have been amazing, incredibly youthful and diverse with an enthusiastic thirst for all that Murakami produces.&quot; 
&nbsp; 
Tickets are still available to see the exhibition, but visitors will need timed tickets on Friday, Saturday, and Sunday. On Saturday, in addition to regular museum hours, the exhibition will be open from 7 - 11 pm during the museum&#39;s late-night Prime Time event (21+, special ticket required). Tickets are at&nbsp;<a href="http://mcachicago.org">mcachicago.org</a>

<img alt="" data-caption="Installation view, Takashi Murakami: The Octopus Eats its Own Leg, MCA Chicago, June 6 – September 24, 2017. Photo: Nathan Keay, © MCA Chicago." data-rich-file-id="2347" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2347/original/murakami-20170601-119.jpg" />

<img alt="" data-caption="Takashi Murakami, Dragon In Clouds—Indigo Blue, 2010. Acrylic on canvas mounted on board, 143 x 708 5/8 in. (363 x 1,800 cm). Collection of Larry Gagosian. © 2010 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Photo: Gavin Ashworth." data-rich-file-id="2346" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2346/original/mca-takashi-murakamin.jpg" />

Top Image:&nbsp;Takashi Murakami,&nbsp;Photo: Maria Ponce Berre, &copy; MCA Chicago.

The MCA's Takashi Murakami exhibition smashes attendance records 

MCA's Takashi Murakami Exhibition Breaks Museum's All-time Attendance Record

By GINNY VAN ALYEA

If you attended EXPO CHICAGO or the opening of the 2017 Chicago Architecture Biennial&nbsp;last&nbsp;week&nbsp;you knew that things were busy. EXPO and the City of Chicago both&nbsp;announced just how busy things were &ndash;&nbsp;8,500 people on opening night for EXPO&#39;s Vernissage, and 40,000 people over the course of the fair &ndash;&nbsp;and the news is positive on all fronts. Early sales wrap-ups from participating galleries have been healthy and encouraging, and the overall attendance numbers set records.&nbsp;

&ldquo;This is the first year that L&eacute;vy Gorvy participated in EXPO CHICAGO and we were thrilled by the reception that we received from collectors, curators and a very enthusiastic public. Chicago has a personal significance for me, and a phenomenal history as a pioneering city for art, architecture and collecting. We were very pleased to see old friends and to enjoy the revitalized energy of this fair. In particular, we were happy that works by Pat Steir, Carol Rama, Senga Nengudi and Dan Colen found new homes in the Midwest.&rdquo; &mdash; Brett Gorvy | L&eacute;vy Gorvy

&ldquo;Participating in EXPO CHICAGO for the first time, we wanted to show a dynamic selection of works. We were delighted with the level of engagement with the art from private collectors, as well as from representatives of major institutions.&rdquo;&nbsp;&mdash; Millicent Wilner | Gagosian&nbsp;

&ldquo;EXPO CHICAGO brings a wonderful audience of patrons and museum groups every September. Over the years, this has allowed us to debut major exhibitions, in addition to an ambitious presentation at the fair. We were thrilled to prominently feature work by artists in both the booth space as well as a part of IN/SITU. We also featured modernist and blue-chip contemporary work for the first time and are beyond happy to place these works in prominent collections.&rdquo; &ndash; Kavi Gupta | Kavi Gupta

&quot;The fair had and strong international representation of galleries this year and we continue to do good business with both known and new regional collectors. If a consensus can be achieved, and more top galleries join, EXPO CHICAGO is on it&#39;s way to being the dominant date and meeting point for American collectors West of the East Coast.&quot;&nbsp;&mdash;Christopher D&rsquo;Amelio | David Zwirner

<img alt="" data-caption="Visitors to EXPO Chicago 2017" data-rich-file-id="2349" src="https://s3.amazonaws.com/chigal/rich/rich_files/rich_files/2349/original/img-3160.jpg" />

The opening of EXPO&nbsp;CHICAGO, the International Exposition of Contemporary and Modern Art,&nbsp;and the simultaneous launch of the second edition of the Chicago Architecture Biennial were also very good for the City of Chicago, since the city&nbsp;welcomed more than 100,000 visitors from around the world last week,&nbsp;a figure&nbsp;reported by Mayor Emanuel himself,&nbsp;&ldquo;Renowned exhibitions at both the Chicago Architecture Biennial and EXPO CHICAGO bolstered Chicago&rsquo;s reputation as the vanguard of architectural, art and design innovation on the national and international stage and underscores the city&rsquo;s important convening power,&rdquo; said Mayor Rahm Emanuel. &ldquo;I want to thank all of the architects, organizers, and residents of Chicago who made this week such a tremendous cultural, educational and economic success for our city.&rdquo;&nbsp;

EXPO&nbsp;presented 135 leading international galleries from 25 countries and 58 cities. Additional special projects in collaboration with both CAB and EXPO CHICAGO took place at Navy Pier with Nick Cave&rsquo;s&nbsp;Here Hear Chicago&nbsp;performances as well as&nbsp;at the DuSable Museum of African American History&rsquo;s Roundhouse for the Palais de Tokyo&rsquo;s first-ever off-site exhibition in the United States, in partnership with the Institut fran&ccedil;ais.&nbsp;

The Chicago Architecture Biennial (CAB) expanded to include over 140 practitioners from 20 countries at exhibitions at the Chicago Cultural Center hub, as well as at six neighborhood sites across the city. The estimated attendance at CAB was over 30,000 at opening festivities.&nbsp;The&nbsp;Biennial runs through January 7, 2018, and is free and open to the general public at the Chicago Cultural Center and sites across the city. EXPO returns to Navy Pier September 27-30, 2018.

It&#39;s hard to believe EXPO CHICAGO 2017&nbsp;is already over, but the 2018 dates have been set and we will look forward to once again seeing what&#39;s next for the fair as well as the contemporary art world. In the meantime, there is still so much to see around the city that is part of the Architecture Biennial as well as the city&#39;s programming for the Year of Public Art.&nbsp;Congratulations to EXPO, the MCA, the Chicago Architecture Biennial, the City of Chicago&nbsp;and all who participated during the weekend! &nbsp;&ndash; GV

&nbsp;

EXPO CHICAGO&#39;s&nbsp;press release regarding opening night&nbsp;is below:

<h3>SIXTH ANNUAL OPENING PREVIEW OF EXPO CHICAGO AND&nbsp;THE MCA&rsquo;S VERNISSAGE WELCOMES MORE THAN 8,500 PEOPLE AT NAVY PIER&nbsp; 
&nbsp; 
The Opening Night benefit for EXPO CHICAGO, Hosted by the MCA&nbsp;Women&rsquo;s Board, Raises $300,000</h3>

(Chicago, IL)&nbsp;EXPO CHICAGO, The International Exposition of Contemporary and Modern Art, opened its sixth edition to more than 8,500 people during&nbsp;Vernissage, the opening night event benefiting the&nbsp;Museum of Contemporary Art (MCA) Chicago. A vast crowd of the city&rsquo;s business, civic and cultural leaders, as well as artists, collectors and art enthusiasts filled Navy Pier&rsquo;s Festival Hall Wednesday, September 13 as they were treated to a special preview of more than 135 of the world&rsquo;s leading galleries from 25 countries and 58 cities.&nbsp;

Notable guests included&nbsp;Lena Baume,&nbsp;Allison Berg,&nbsp;Bruce&nbsp;and&nbsp;Barbara Berger,&nbsp;Marlene Breslow&nbsp;and&nbsp;Berle Blitstein,&nbsp;Fred Bidwell,&nbsp;Neil Bluhm,&nbsp;Barbara Bluhm-Kaul&nbsp;and&nbsp;Don&nbsp;Kaul,&nbsp;Pierre Boulais,&nbsp;Gwen Callans&nbsp;and&nbsp;Biff Ruttenberg,&nbsp;Larry&nbsp;and&nbsp;Marilyn Fields,&nbsp;Caryn&nbsp;and&nbsp;King&nbsp;John&nbsp;and&nbsp;Sharon Hoffman,&nbsp;Bill Gautreaux,&nbsp;Helyn Goldenberg&nbsp;and&nbsp;Michael Alper,&nbsp;Rod Lubeznik&nbsp;and&nbsp;Susan Goodman,&nbsp;James Gordon,&nbsp;Paul&nbsp;and&nbsp;Linda Gotskind,&nbsp;Ken Griffin,&nbsp;Jack&nbsp;and&nbsp;Sandra Guthman,&nbsp;Anne&nbsp;Kaplan,&nbsp;Susie Karkomi&nbsp;and&nbsp;Marvin Leavitt,&nbsp;Liz&nbsp;Lefkofsky,&nbsp;Nancy Lerner&nbsp;and&nbsp;David Frej,&nbsp;Jennifer&nbsp;Litowitz&nbsp;,&nbsp;Susan Manilow,&nbsp;Eric McKissack,&nbsp;Gary Metzner,&nbsp;Bob Munch,&nbsp;Lewis&nbsp;and&nbsp;Susan Nerman,&nbsp;Claire&nbsp;and&nbsp;Mike O&#39;Grady,&nbsp;Randall&nbsp;and&nbsp;Shelia Ott,&nbsp;MK Pritzker,&nbsp;Alan&nbsp;and&nbsp;Rebecca Ross,&nbsp;Cathy Ross&nbsp;and&nbsp;Chris Liguori,&nbsp;Lyn Segal,&nbsp;Amir Shariat,&nbsp;Irving Stenn,&nbsp;Kristin Binder Stevens&nbsp;and&nbsp;Stan Stevens,&nbsp;Carl&nbsp;and&nbsp;Marilyn Thoma,&nbsp;Lucas Walton, and&nbsp;Helen Zell, among others. 
&nbsp; 
This unique celebration, co-chaired by MCA Women&rsquo;s Board members&nbsp;Tonya Geesman,&nbsp;Christine Poggianti&nbsp;and&nbsp;Ellen Wallace, began with a patron reception at 5:00 pm in the VIP Collector&rsquo;s Lounge, presented by Northern Trust, featuring food by some of Chicago&rsquo;s top restaurants and food providers including: 20E, Talbott Hotel, BellyQ, Chicago Raw, Marisol, Big Star, Riva Restaurant, Tanta, The Windsor, Yusho, Eli&rsquo;s Cheesecake and Skinny Pop and Nude Dude Food. Featured beverage sponsors include Lagunitas and Terrazas de los Andes. 
&nbsp; 
At 6 pm President | Director of EXPO CHICAGO&nbsp;Tony Karman&nbsp;took a humbling moment to thank the crowd for their tremendous support for the fair&rsquo;s sixth year. He then called on MCA Chicago&rsquo;s Pritzker Director&nbsp;Madeleine Grynsztejn&nbsp;to speak to the incredible partnership between the MCA and EXPO CHICAGO. &nbsp; 
&nbsp; 
&ldquo;We have been collaborating with the art fair since the inception of Vernissage and we are especially proud of that partnership this year because we are celebrating the 50th&nbsp;anniversary of the MCA Women&rsquo;s Board. Thank you to the Women&rsquo;s Board and all of you for making the MCA the preeminent contemporary art museum in Chicago and beyond for 50 years.&rdquo; She added, &ldquo;Collaborations like this are so important, and I am proud to debut another collaboration between the MCA, world-renowned artist Kerry James Marshall and fashion brand MZ Wallace. Together, we debut a gorgeous bag based on a painting by Kerry James Marshall in our permanent collection, and all proceeds go directly to our education programs.&rdquo; 
&nbsp; 
Northern Trust Wealth Management Central Region President&nbsp;Mac MacLellan&nbsp;then took the stage stating, &ldquo;We are thrilled with the growth of the art fair and the major impact it has had on our entire city. Northern Trust remains the only financial services firm based in the U.S. to sponsor a modern and contemporary art exhibition of this scale and size, showing our firms commitment to the art community.&rdquo; He continued, &ldquo;The entire art world will have its eye on Chicago the next couple of days and that is entirely because of the unique collaborations that EXPO CHICAGO has made possible. Collaboration between the City of Chicago, Navy Pier, Corporate Sponsors, arts organizations, artists and galleries&mdash;and in this day in age, when we have so much dissonance between so many despaired groups, it&rsquo;s nice to see collaboration come together and be successful. EXPO CHICAGO is a great example not only for the City of Chicago but for the rest of the country.&rdquo; 
&nbsp; 
MacLellan then introduced Navy Pier&rsquo;s Chief Program and Civic Engagement officer&nbsp;Michelle T. Boone, who welcomed everyone to Navy Pier stating, &ldquo;Tony and his vision for EXPO CHICAGO has really paved the way for establishing Navy Pier as one of the most exciting cultural districts in the city of Chicago,&nbsp;and I am just thrilled and honored to continue this tradition and partnership.&rdquo; She reiterated MacLellan&rsquo;s sentiments by adding, &ldquo;This is a tremendous demonstration of the power of partnerships and collaborations between private, public and non-private sectors pulling together to make this the most exciting arts week not only in Chicago but in the nation.&rdquo; 
&nbsp; 
Chairman of the Chicago Architecture Biennial&nbsp;Jack Guthman&nbsp;also took a moment to thank Tony Karman for his vision. &ldquo;I told the Mayor we had to align the Biennial with EXPO CHICAGO because no one promotes Chicago the way Tony Karman promotes Chicago. I wanted the biennial, my little ship, to follow in his wake, and the Mayor got it right away.&rdquo; 
&nbsp; 
The City of Chicago Commissioner of Cultural Affairs and Special Events&nbsp;Mark Kelly&nbsp;concluded the remarks, perfectly encapsulating the unique collaborations of the night and throughout the city. &ldquo;This year is the 50th&nbsp;anniversary of the MCA and the sixth year of EXPO CHICAGO. 50 is the most perfect number in numerology, and six is the most harmonious of the single digit numbers so what we have is major good karma here today. Congratulations to the MCA and to EXPO CHICAGO. On behalf of Mayor Rahm Emanuel, I want to thank Tony Karman and his staff for lighting a fuse, making Chicago on fire with the visual arts. This is a civic event that reaches out into the entire city including artists, museums, galleries, cultural organizations and more. We are not only the center of visual arts in the country but in the world. When you take EXPO CHICAGO, the Chicago Architecture Biennial, the upcoming Art Design Chicago, the Year of Public Art and all the great work going on in the city, right here and now, this is the epicenter of great visual arts in the world.&rdquo; 
&nbsp; 
A bottle of&nbsp;Ruinart Champagne&nbsp;was popped and all gathered together for a celebratory toast before making their way onto the show floor. &nbsp; 
&nbsp; 
Guests mingled throughout the show floor until&nbsp;Nick Cave&rsquo;s&nbsp;Up Right Chicago&nbsp;commenced on the show floor, featuring a processional of dancers in soundsuits making their way through Festival Hall. The performance, a part of&nbsp;Here Hear Chicago&nbsp;and a unique collaboration between Cave and architect&nbsp;Jeanne Gang, continued in the Aon Ballroom welcoming guests of Vernissage in addition to the general public. 
 
EXPO CHICAGO 2018 will return September 27&ndash;30. For more information on EXPO CHICAGO and&nbsp;EXPO ART WEEK&nbsp;visit&nbsp;<a href="http://expochicago.com">expochicago.com</a> 
&nbsp;

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A wrap-up of EXPO chicago attendance and the Chicago Architecture Biennial opening

Impressive Numbers From Opening of EXPO CHICAGO 2017 and 2nd Chicago Architecture Biennial

The following letter from Douglas Dawson Gallery announces that the gallery will close in July after 35 years of sharing tribal art and ethnographic material with the public. Dawson and Wallace Bowling will continue to operate as private dealers.&nbsp;

To read CGN&#39;s interview with Dawson and Wallace Bowling on their 30th anniversary in 2012, <a href="http://www.chicagogallerynews.com/news/2012/9/douglas-dawson-gallery-30-years-of-tribal-art">click here</a>.&nbsp;

&nbsp;

May 30, 2017

This year the Douglas Dawson Gallery completes thirty five years of business in Chicago. Hundreds of exhibitions, dozens of art fairs, and thousands of magical, provocative and beautiful objects later we have decided to close the gallery. At the end of this coming July, 2017, we will close the doors of our gallery space&nbsp;and assume a new persona as private dealers. From time to time we will mount exhibitions and publish catalogs - just not in our own gallery. We will not disappear - just change the scope and presentation of our operations.

&nbsp;Over the next three months we will be mounting small, thematic exhibitions of existing inventory in our Michigan Avenue location. These sales will provide an excellent opportunity to acquire high quality and important ethnographic material at exceptionally low prices.&nbsp; 
&nbsp; 
In July Chicago-based Wright Auctioneers will feature a selective sale of approximately one hundred curated objects acquired by this Gallery over the years. We are very excited about this collaboration with Wright, whose presentation and professionalism set a standard in their field. 
&nbsp; 
The importance of tribal art cannot be overstated. Its complex history with modern Western art is intriguing and complex. Each informs the other. For anyone interested in how the human mind is compelled to make experience tangible then one must consider tribal art. Look at it, wonder about it, live with it, be inspired by it and let it broaden your world. 
&nbsp; 
Profound gratitude to everyone who has supported this gallery through patronage and visitation over the past thirty-five years. 
Please continue to follow us on-line for updates on our plans and activities. 
 
Douglas, Wallace, Nancy, Armando and Roman 
 
&nbsp;

&nbsp;

<a href="http://www.chicagogallerynews.com/galleries/douglas-dawson-gallery">douglas dawson</a> 
224 South Michigan Avenue 
Suite 266&nbsp; 
Chicago, IL 60604 
&nbsp;312.226.7975

Douglas Dawson Gallery Closing Chicago space after 35 years

Douglas Dawson Gallery Closing in July

<a href="http://www.chicagogallerynews.com/art-services/expo-chicago">EXPO CHICAGO</a> has released its list of exhibiting galleries for its sixth annual edition, September 13-17, 2017 at Navy Pier&#39;s Festival Hall.&nbsp;

From the official press release:

<blockquote>
EXPO CHICAGO, The International Exposition of Contemporary &amp; Modern Art, today announced the premier list of exhibitors for its sixth annual edition,&nbsp;September 13&ndash;17, 2017&nbsp;at Navy Pier&rsquo;s Festival Hall. Marking its most global edition to date, EXPO CHICAGO welcomes 135 leading galleries representing 25 countries and 58 cities from around the world. Countries represented at the 2017 exposition include: United States, Austria, Belgium, Brazil, Canada, China, England, France, Germany, Greece, Iceland, Italy, Japan, Korea, Lebanon, Luxembourg, Mexico, Norway, Portugal, Singapore, South Africa, Spain, Switzerland, The Netherlands, and Uruguay. 
 
The 2017 exhibitor list was chosen by an international Selection Committee comprised of leading gallerists, including Stefania Bortolami |&nbsp;Bortolami, New York; John Corbett |&nbsp;Corbett vs. Dempsey, Chicago; Christopher D&rsquo;Amelio |&nbsp;David Zwirner, New York, London; Rhona Hoffman |&nbsp;Rhona Hoffman Gallery, Chicago; David Nolan |&nbsp;David Nolan Gallery, New York; Jessica Silverman |&nbsp;Jessica Silverman Gallery, San Francisco; and Susanne Vielmetter |&nbsp;Susanne Vielmetter Los Angeles Projects, Los Angeles. 
 
Of the many new additions to the 2017 exposition, highlights include:&nbsp;Gagosian&nbsp;| New York, Los Angeles, San Francisco, London, Paris, Rome, Athens, Geneva, Hong Kong;&nbsp;Tina Kim Gallery&nbsp;| New York;&nbsp;STANDARD (OSLO)&nbsp;| Oslo;&nbsp;Anton Kern Gallery&nbsp;| New York;&nbsp;Ceysson &amp; B&eacute;n&eacute;ti&egrave;re&nbsp;| Saint-&Eacute;tienne, Paris, Luxembourg, New York;&nbsp;Praz-Delavallade&nbsp;| Paris, Los Angeles;&nbsp;galerie frank elbaz&nbsp;| Paris, Dallas;&nbsp;Galerie Laurent Godin&nbsp;| Paris;&nbsp;Galerija Gregor Podnar&nbsp;| Berlin;&nbsp;MARIANE IBRAHIM&nbsp;| Seattle; and&nbsp;Galeria Filomena Soares&nbsp;| Lisbon.

In addition to the notable Selection Committee galleries, leading exhibitors returning to EXPO CHICAGO include:&nbsp;Carpenters Workshop Gallery&nbsp;| London, Paris, New York;&nbsp;Galerie Gmurzynska, Z&uuml;rich, St. Moritz, Zug;&nbsp;Alexander Gray Associates&nbsp;| New York;&nbsp;Garth Greenan Gallery&nbsp;| New York;&nbsp;GRIMM&nbsp;| Amsterdam;&nbsp;Paul Kasmin Gallery&nbsp;| New York;&nbsp;K&Ouml;NIG GALERIE&nbsp;| Berlin;&nbsp;Luhring Augustine&nbsp;| New York;&nbsp;MACCARONE&nbsp;| New York, Los Angeles;&nbsp;Matthew Marks Gallery&nbsp;| New York, Los Angeles;&nbsp;ONE AND J. Gallery&nbsp;| Seoul;&nbsp;Peres Projects&nbsp;| Berlin;&nbsp;Perrotin&nbsp;| New York, Paris, Hong Kong, Seoul, Tokyo;&nbsp;R &amp; Company&nbsp;| New York; and&nbsp;Salon 94&nbsp;| New York.
</blockquote>

2017 PARTICIPATING GALLERIES&nbsp; 
AKINCI, Amsterdam 
Ameringer | McEnery | Yohe, New York 
Anglim Gilbert Gallery, San Francisco 
BERG Contemporary, Reykjav&iacute;k 
Peter Blake Gallery, Laguna Beach 
Bortolami, New York 
Carpenters Workshop Gallery, London, Paris, New York 
CarrerasMugica, Bilbao 
casati gallery, Chicago 
David Castillo Gallery, Miami Beach 
Edward Cella Art &amp; Architecture, Los Angeles 
Cernuda Arte, Coral Gables 
James Cohan, New York 
CONNERSMITH., Washington, DC 
Corbett vs. Dempsey, Chicago 
Galerie de Bellefeuille, Montreal 
Luis De Jesus Los Angeles, Los Angeles 
Catherine Edelman Gallery, Chicago 
galerie frank elbaz, Paris, Dallas 
Flowers Gallery, London, New York 
Forum Gallery, New York 
Honor Fraser, Los Angeles 
Gagosian, New York, Los Angeles, San Francisco, London, Paris, Rome, Athens, Geneva, Hong Kong 
Hilario Galguera Gallery, Mexico City 
Galerie Gmurzynska, Z&uuml;rich, St. Moritz, Zug 
Galerie Laurent Godin, Paris 
Graphicstudio, Tampa 
Alexander Gray Associates, New York 
Richard Gray Gallery, Chicago, New York 
Garth Greenan Gallery, New York 
GRIMM, Amsterdam 
Kavi Gupta, Chicago 
Hackett Mill, San Francisco 
HDM Gallery, Beijing, Hangzhou 
Richard Heller Gallery, Los Angeles 
Nancy Hoffman Gallery, New York 
Rhona Hoffman Gallery, Chicago 
The Hole, New York 
Edwynn Houk Gallery, New York, Z&uuml;rich 
MARIANE IBRAHIM, Seattle 
Jenkins Johnson Gallery, San Francisco, New York 
Paul Kasmin Gallery, New York 
Anton Kern Gallery, New York 
Tina Kim Gallery, New York 
K&Ouml;NIG GALERIE, Berlin 
Alan Koppel Gallery, Chicago 
Galerie Lelong, New York, Paris 
Library Street Collective, Detroit 
Jane Lombard Gallery, New York 
Diana Lowenstein Gallery, Miami 
Luhring Augustine, New York 
Maccarone, New York, Los Angeles 
Maison Gerard, New York 
Matthew Marks Gallery,&nbsp;New York, Los Angeles 
Maruani Mercier, Brussels, Knokke 
Mario Mauroner Contemporary Art, Vienna, Salzburg 
McCormick Gallery, Chicago 
moniquemeloche, Chicago 
THE MISSION, Chicago 
Gallery MOMO, Johannesburg, Cape Town 
Anne Mosseri-Marlio Galerie, Basel 
David Nolan Gallery, New York 
Gallery Wendi Norris, San Francisco 
Richard Norton Gallery, Chicago 
Claire Oliver Gallery, New York 
ONE AND J. Gallery, Seoul 
Karla Osorio Gallery, Bras&iacute;lia, S&atilde;o Paulo 
parrasch heijnen gallery, Los Angeles 
Peres Projects, Berlin 
Perrotin, New York, Paris, Hong Kong, Seoul, Tokyo 
Galerija Gregor Podnar, Berlin 
Praz-Delavallade, Paris, Los Angeles 
PROYECTOSMONCLOVA, Mexico City 
R &amp; Company, New York 
ANDREW RAFACZ, Chicago 
RONCHINI, London 
rosenfeld porcini, London 
Salon 94, New York 
Eduardo Secci Contemporary, Florence 
Carrie Secrist Gallery, Chicago 
William Shearburn Gallery, St. Louis 
Jessica Silverman Gallery, San Francisco 
SIM Galeria, Curitiba 
Sims Reed Gallery, London 
Galeria Filomena Soares, Lisbon 
Sous Les Etoiles Gallery, New York 
STANDARD (OSLO), Oslo 
Louis Stern Fine Arts, West Hollywood 
Allan Stone Projects, New York 
MARC STRAUS, New York 
Hollis Taggart Galleries, New York 
Sundaram Tagore Gallery, New York, Singapore, Hong Kong 
Tandem Press, Madison 
Galerie Tanit, Beirut, Munich 
Galerie Daniel Templon, Paris, Brussels 
Paul Thiebaud Gallery, San Francisco 
Traywick Contemporary, Berkeley 
Vallarino Fine Art, New York 
Susanne Vielmetter Los Angeles Projects, Los Angeles 
Von Lintel Gallery, Los Angeles 
Weinstein Gallery, Minneapolis 
Zolla/Lieberman Gallery, Chicago 
Pavel Zoubok Gallery, New York 
David Zwirner, New York, London

EXPOSURE 
The&nbsp;EXPOSURE&nbsp;section, installed on the main floor of the exposition, features solo and two-artist presentations represented by galleries eight years and younger, allowing the opportunity for younger galleries to participate in a major international exposition. For the first time, EXPOSURE will be curated, and will be selected by Director of Exhibitions and Senior Curator at Dallas Contemporary&nbsp;Justine Ludwig. 
 
The list of 2017 EXPOSURE galleries includes:&nbsp; 
313 Art Project, Seoul |&nbsp;Gigisue 
AA|LA, Los Angeles |&nbsp;Alex Ito 
Piero Atchugarry, Pueblo Garz&oacute;n |&nbsp;Yuken Teruya 
Cardoza Fine Art, Houston |&nbsp;Paul Kremer 
DITTRICH &amp; SCHLECHTRIEM, Berlin |&nbsp;Ivan Comas, Dorian Gaudin 
Downs &amp; Ross, New York |&nbsp;Vikky Alexander 
Anat Ebgi, Los Angeles |&nbsp;Alec Egan, Jordan Nassar 
Edel Assanti, London |&nbsp;Dale Lewis 
Fridman Gallery, New York |&nbsp;Reuven Israel, Navine G. Khan-Dossos 
jos&eacute;garc&iacute;a ,mx, Mexico City, Merida |&nbsp;Tania P&eacute;rez C&oacute;rdova, Jos&eacute; Le&oacute;n Cerrillo 
Geary Contemporary, New York |&nbsp;Vadis Turner 
Grice Bench, Los Angeles |&nbsp;Luis Flores, Kevin Reinhardt 
Gerhard Hofland, Amsterdam |&nbsp;Koen Delaere, Johan Tahon 
Charlie James Gallery, Los Angeles |&nbsp;Ramiro Gomez 
Kimmerich, Berlin |&nbsp;Ivan Morley, Alice Tippit 
KLOWDEN MANN, Los Angeles |&nbsp;Rodrigo Valenzuela 
Harlan Levey Projects, Brussels |&nbsp;TR Ericsson, Emmanuel Van der Auwera 
David Lewis, New York |&nbsp;Barbara Bloom, Sean Paul 
MARSO, Mexico City |&nbsp;Lucas Sim&otilde;es 
Meliksetian | Briggs, Los Angeles |&nbsp;Steven Hull 
Shulamit Nazarian, Los Angeles |&nbsp;Genevieve Gaignard 
Night Gallery, Los Angeles |&nbsp;Mira Dancy, Isabel Yellin 
NOME Gallery, Berlin |&nbsp;Navine G. Khan-Dossos 
Officine dell&#39;lmmagine, Milan |&nbsp;Bronwyn Katz, Marcia Kure 
OFG.XXX&nbsp;|&nbsp;Arthur Pe&ntilde;a 
PATRON, Chicago |&nbsp;Lucas Sim&otilde;es 
David Petersen Gallery, Minneapolis |&nbsp;Lukas Geronimas, Lizzy Marshall 
ROCKELMANN&amp;, Berlin |&nbsp;Zachary Fabri, Kathleen Vance 
Romer Young Gallery, San Francisco |&nbsp;Elise Ferguson, Ryan Wallace

EXPO PROFILE 
New to the exposition,&nbsp;EXPO PROFILE&nbsp;presents solo booths and focused projects by established international galleries. Showcasing ambitious installations and tightly focused thematic exhibitions, this invitational section features major projects by a single artist or collective. 
&nbsp; 
The list of 2017 PROFILE galleries includes: 
Ceysson &amp; B&eacute;n&eacute;ti&egrave;re, Saint-&Eacute;tienne, Paris, Luxembourg, New York |&nbsp;Alexander Nolan 
GRIMM, Amsterdam |&nbsp;Charles Avery&nbsp; 
Maruani Mercier,&nbsp;Brussels, Knokke |&nbsp;Ron Gorchov 
R &amp; Company, New York |&nbsp;SuperDesign (Gianni Pettena, Lapo Binazzi, Studio 65, and Guido 
Drocco &amp; Franco Mello) 
Solo Galerie, Paris |&nbsp;Pezo von Ellrichshausen

EXPO EDITIONS +&nbsp;BOOKS 
The EXPO Editions + Books&nbsp;section offers a robust showcase of artist books, editions, prints and more. From limited edition collectibles to commissioned prints, the participating exhibitors will offer a diverse array of media that spans photography, collage, drawing, printmaking and art monographs. 
 
The list of 2017 Editions + Books exhibitors includes:&nbsp; 
Art+Culture Projects, New York 
Boreas Fine Art, Chicago 
DOCUMENT, Chicago 
Field Editions, Liverpool 
Richard Gray Gallery, Chicago, New York 
Island Press, St. Louis 
Other Criteria, New York, London, Ilfracombe 
REN&Eacute; SCHMITT, WOL 
Spudnik Press Cooperative, Chicago 
Tate, London 
Whitechapel Gallery, London

More info on EXPO CHICAGO may be found <a href="http://www.chicagogallerynews.com/art-services/expo-chicago">here</a>.&nbsp;

Top image:&nbsp;Tom Burr, Other People&#39;s Pants, 2010.

EXPO CHICAGO announces 2017 participating galleries